| 時(shí)間：2009-11-7-2010-2-28 地區(qū)：北京 主辦機(jī)構(gòu)：別處空間 地點(diǎn)：北京市朝陽區(qū)酒仙橋路4號(hào)798藝術(shù)區(qū)798東街
彭薇， 牧馬圖之二， 繪畫裝置， 53 x 30 x 22 cm, 2008 Peng Wei, Grazing No.2, Painting Installation, 53 x 30 x 22 cm, 2008
2009年11月7日下午3點(diǎn)，“成人童話—女性當(dāng)代藝術(shù)展”將在798藝術(shù)區(qū)的別處空間開幕。 本次展覽集中展出了 陳慶慶、崔岫聞、韓婭娟、姜杰、劉俐蘊(yùn)、劉韌、彭薇、商亮、 陶娜、向京、楊納十一位女性藝術(shù)家的作品。
楊納，不是毒藥，130 x 120 cm, 布面油畫，2009 Yang Na, Not poison, 130 x 120 cm, Oil on canvas, 2009
成人童話一方面是中國女性藝術(shù)家觀察社會(huì)現(xiàn)實(shí)的獨(dú)特態(tài)度，她們不像男性藝術(shù)家那般強(qiáng)烈、直接或非常觀念性的表達(dá)他們對(duì)現(xiàn)實(shí)的關(guān)注，而是用水中撈月、以柔克剛而又似乎刻意模糊的方式來表現(xiàn)她們對(duì)社會(huì)現(xiàn)實(shí)的觀察。她們期望在自己的內(nèi)部世界里完成對(duì)世界和當(dāng)下的思考及作品的完成，并以有別于男性的出逃方式來調(diào)侃自身的創(chuàng)作狀態(tài)。她們愿意繼續(xù)夢幻，保持對(duì)于童話的想象力和編制力。這是一種難能可貴的女性知識(shí)分子對(duì)于當(dāng)下紛繁雜亂現(xiàn)實(shí)狀況的獨(dú)立態(tài)度；另一方面，它又是中國女性藝術(shù)家特殊的藝術(shù)方法論，在藝術(shù)語言上表現(xiàn)出一種柔美、女性手工感的特征，運(yùn)用了絲綢、棉花和自然材料加以女紅的方式來創(chuàng)作作品，作品表現(xiàn)出一種“童話”般虛幻的藝術(shù)樣式，體現(xiàn)出中國女性藝術(shù)更關(guān)心藝術(shù)本身和對(duì)傳統(tǒng)文化的梳理以及對(duì)現(xiàn)實(shí)的寫照的獨(dú)特性。
參展藝術(shù)家： 陳慶慶、崔岫聞、韓婭娟、姜杰、劉俐蘊(yùn)、劉韌、彭薇、商亮、陶娜、向京、楊納策展人：柳淳風(fēng)開幕酒會(huì)：2009年11月7日下午3：00至6：00 展期：2009年11月7日至2010年2月28日地點(diǎn)：別處空間地址：北京市朝陽區(qū)酒仙橋路4號(hào)798藝術(shù)區(qū)798東街
如需詳細(xì)信息，請(qǐng)聯(lián)系國內(nèi)媒體負(fù)責(zé)人孫士嫻 （email：info@beyondartspace.com）
Real-Life Fairy Tales Female Artists Group Show
The exhibition "Real-Life Fairy Tales" reflects female artists’ contemplation on social reality. Unlike their male counterparts who express their attention to reality in a direct, intensive, and non-conceptual manner, they seem to intentionally represent their observation of life in an opaque way. They intend to extend their dream world and maintain their fairy-tale-like imagination with their artworks. In a sense, this way has become a methodology of art which is unique to China’s female artists. We can see from the artworks of the exhibition that many artists combine silk, cotton and the color red to display their art style marked by a fairy tale and they demonstrate the uniqueness of China’s female art. What makes Chinese female art different from its Western counterpart is that Western female art typically revolves around women’s rights, whereas Chinese female art seems to attach more importance to traditional values, the reflection of reality and art itself. The eleven female artists are very good examples of this.
向京， 砰！玻璃鋼著色，160x110x162 cm , 2002 Xiang Jing,Bang! Painted fibre glass, 160x110x162 cm, 2002
Participating Artists: Chen Qingqing, Ciu Xiuwen, Han Yajuan, Jiang Jie, Liu Liyun, Liu Ren, Peng Wei, Shang Liang, Tao Na, Xiang Jing, Yang Na
Curator: Liu Chunfeng Opening Reception: November 7th from 3:00 - 6:00 pm Duration: November 7 through February 28, 2009 Venue: Beyond Art Space (Beijing 798) Address: 798 East Street, 798 Art District, No. 4 Jiuxianqiao Road, Chaoyang District, Beijing 100015 China
Please contact Mila Bollansee at beyondartspace@gmail.com for more information. |
