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凱文·墨菲（Kevin M. Murphy） (觀看視頻）
???? Kevin M. Murphy is the Eugénie Prendergast Curator of American Art at the Williams College Museum of Art in Williamstown, Massachusetts. Murphy came to WCMA from the Crystal Bridges Museum of American Art in Bentonville, Arkansas where he was Curator of American Art. Joining Crystal Bridges in March 2011, he was part of the curatorial team responsible for the inaugural presentation of the permanent collection when it opened on November 11, 2011. He also managed the Tyson Scholars of American Art, a residential fellowship program with a $5 million endowment. Murphy collaborated with colleagues from the Louvre, Terra Foundation for American Art, and High Museum on a series of focused exhibitions presented in Paris, Atlanta, and Bentonville on major themes in nineteenth century American art, bringing together American, British, and European art from the four collections. Prior to arriving in Bentonville, Murphy was the Bradford and Christine Mishler Associate Curator of American Art at the Huntington Library, Art Collections, and Botanical Gardens. He holds a Ph.D. in art history from the University of California Santa Barbara.
??? 凱文?墨菲：馬薩諸塞州威廉姆斯郡的威廉姆斯大學(xué)美術(shù)館的美國(guó)美術(shù)館分館長(zhǎng)，此前，曾任阿肯薩斯州本頓維爾的水晶橋藝術(shù)館美國(guó)藝術(shù)分館館長(zhǎng)。墨菲教授于2011年3月進(jìn)入水晶橋美術(shù)館工作, 參與策劃了于2011年11月11日舉辦的水晶橋美術(shù)館開(kāi)幕展,該展覽展出了水晶橋美術(shù)館的永久收藏。此外，墨菲教授擔(dān)任泰森美國(guó)藝術(shù)獎(jiǎng)學(xué)金的管理工作（此獎(jiǎng)學(xué)金捐款額達(dá)500萬(wàn)美元）。墨菲和來(lái)自盧浮宮、泰拉美國(guó)藝術(shù)基金會(huì)和亞特蘭大藝術(shù)博物館的同行們合作，將四個(gè)博物館中的美國(guó)、英國(guó)和歐洲藝術(shù)作品匯集起來(lái)，在巴黎、亞特蘭大和本頓維爾舉辦了系列展，展覽主題集中于19世紀(jì)的美國(guó)藝術(shù)。在去本頓維爾工作之前，墨菲還曾經(jīng)擔(dān)任布拉德福德和克里斯汀?米什勒美國(guó)藝術(shù)館的副館長(zhǎng)，在漢丁頓圖書(shū)館，藝術(shù)收藏及皇家植物館任職。他在加州大學(xué)圣塔巴巴拉分校獲得藝術(shù)史學(xué)博士學(xué)位。
??? Preview of the Speech:
Thinking Globally, Acting Locally:Presenting American Art at Crystal Bridges
?Crystal Bridges Museum of American Art, located in the small town of Bentonville Arkansas that in turn is situated near the middle of the United States, opened in November of 2011. It is a large, ambitious museum fully cognizant and embracing of its local community but also charged with connecting that community to the nation and the globe through its collection and programming; and conversely connecting the world to Bentonville. For the inaugural installation, curators had the opportunity to present the collection unencumbered by institutional traditions or preconceived audience expectations. However, as a museum collecting only paintings, sculpture, and works on paper made in the United States or North American Colonies, curators also had constraints on their ability to reach beyond American borders. This talk addresses how Crystal Bridges seeks to balance the local, national, and global through a collection that is thoroughly American.
??? 發(fā)言概要：
思想的全球化和行為的本土化：美國(guó)藝術(shù)在水晶橋博物館的展示
水晶橋藝術(shù)館坐落于美國(guó)中部本頓維爾市的阿肯色州小鎮(zhèn)，于2011年11月向公眾開(kāi)放。這是一座規(guī)模較大，并富有抱負(fù)的美術(shù)館。不僅被當(dāng)?shù)孛癖娛熳R(shí)和喜愛(ài)，并且通過(guò)其收藏與規(guī)劃將本頓維爾與整個(gè)美國(guó)甚至全世界聯(lián)系在一起，同時(shí)也將世界展現(xiàn)在了本頓維爾面前。在策劃水晶橋藝術(shù)館開(kāi)幕展覽中，策展人雖然獲得了一次不受美術(shù)館傳統(tǒng)、觀眾期待等因素束縛的機(jī)會(huì)，但作為一家只收藏美國(guó)和北美殖民地地區(qū)的油畫(huà)、雕塑和紙本作品的藝術(shù)館，策展人要突破美國(guó)邊界是一項(xiàng)極大的考驗(yàn)。這次演講主要介紹水晶橋美術(shù)館如何通過(guò)單一的美國(guó)藝術(shù)作品收藏，平衡本土化、國(guó)家化和全球化之間的關(guān)系。
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