Rafael Navarro’s work started in the late 60s as a way of escaping reality, as a therapy to release the pressure form his responsibilities; photography was his last resort. But it is not until the 70s when his first series were first published. They were unusually modern for the time, and the way he interpreted the human body gave them a new meaning. Ever since, his work has always expanded to new directions, but, in some way or another, the nude, the skin of a woman’s body, were the center of the creation. Now, more than 30 years later, his work is still modern, not only in the way he approaches photography, but also in the meanings given to each and every image produced.

Along his extensive career, we can pin point several stages:

PRE-DIPTYCHS (1975-1985): Since the beginning of his career, he has extensively worked on the human figure. Showing and hiding, light and shadows, reality and imagination. His work reveals a very near sensibility. His images often extoll women. He uses this language to show his feelings, those he can’t express with words. However, there is always a revelation in his photographs. He gets to show things that were hidden to us otherwise. His first works will open the door to themes and references that will come back after the diptychs'period.

        拉菲爾?納瓦羅于1940年生于薩拉戈薩。他最初對(duì)攝影感興趣是在70年代，并開始涉足新聞，戲劇和體育攝影。最后，他被造型藝術(shù)所吸引并由此發(fā)展出最具個(gè)人風(fēng)格的表達(dá)方式。納瓦羅去年底曾于北京舉辦了在中國(guó)的首次個(gè)展。據(jù)悉，本月在上海將再次的展覽他的作品。

特別感謝：MS Angelica Soleiman提供資料。