展覽海報(bào)
策展人：孟媛
Curator: Meng Yuan
參展藝術(shù)家：黃鐵舟、郭煜
Artists: Huang Tiezhou、Guo Yu
主辦單位：橋藝術(shù)空間
Organizer：Art Bridge Gallery
開(kāi)幕時(shí)間：2021年1月30日 下午3:00
Opening： Jan 30.2021 at 3:00 p.m
展覽時(shí)間：2021年1月30日—2021年3月7日
Exhibition Date: Jan 30.2020 — Mar 7.2021
展覽地點(diǎn)：北京朝陽(yáng)區(qū)酒仙橋路4號(hào)798藝術(shù)區(qū)D09-1
Address: D09-1 No.4，798Art zone Jiuxianqiao Road，Chaoyang District，Beijing,China
前言 | Preface
從偶發(fā)到常態(tài)，是避無(wú)可避到習(xí)慣。當(dāng)新冠疫情成為從2020年到2021年的常態(tài)，這個(gè)二十一世紀(jì)最冷的冬天似乎更加難捱。
這次展覽其實(shí)從去年就已經(jīng)開(kāi)始籌備，因?yàn)橐咔橐煌显偻?，在臨近開(kāi)展前又趕上了新一波的疫情。河北石家莊是我和雕塑家黃鐵舟的家鄉(xiāng)，一批作品也被困在家鄉(xiāng)，增加了展覽的不確定性。常態(tài)又促成了偶然，藝術(shù)的魅力或許也在于此，在措不及防的偶發(fā)中生發(fā)出無(wú)限的創(chuàng)造力。
黃鐵舟原定準(zhǔn)備展出的一組人物，延續(xù)著一貫以人的形象為主體的系列?！妒澜纭分心切┊惢说娜说男螒B(tài)，沒(méi)有性別，身體與面孔趨于一致，圓瞪得眼睛如力士般不怒自威，大張的嘴仿佛在無(wú)聲的嘶吼，過(guò)分纖細(xì)的腰肢與四肢，被拉長(zhǎng)后充滿(mǎn)物體感的完美身軀，夸張的肢體動(dòng)作，聚集在一起形成了人所構(gòu)成的場(chǎng)域。所有的異化特征都在昭示著藝術(shù)家對(duì)于人特質(zhì)的特意去除，和另一種意義上的統(tǒng)一和同化。在《世界》中，是人的身份去除后，他者的凝視消失后，雕塑家對(duì)于人本身的存在，關(guān)于自我意識(shí)的剖析。
▲ 《靈感》 190×142cm 紙噴繪 2021年
另一位雕塑家郭煜將創(chuàng)作重心放在了“物”的理解上。在他的“框”系列金屬浮雕作品中，基于以往創(chuàng)作雕塑作品草圖中的形體，將偶發(fā)的“形”以金屬材質(zhì)碳鋼涂漆的方式固化下來(lái)，作為一個(gè)個(gè)鏤空的幾何形體以鮮明的色彩在空間中組合重疊。郭煜的另一組作品以推敲形體為樂(lè)，在日常積累的形體感受上，將物體經(jīng)過(guò)不同方式的旋轉(zhuǎn)而最終成為創(chuàng)作中的形態(tài)。物的使用價(jià)值被消除了，從而放大了物體本身的特征，通過(guò)對(duì)于形體的把握占據(jù)限定的空間，從而表達(dá)出對(duì)于“力”與“秩序”的思考。
▲ 《P0RTAIT B》40×38×63cm 光敏樹(shù)脂、漆 2020年
“人與物”的關(guān)系在遠(yuǎn)古時(shí)代人類(lèi)的祖先開(kāi)始制作和使用打制石器時(shí)，就已經(jīng)開(kāi)始出現(xiàn)。而在大數(shù)據(jù)時(shí)代，人和物的界限卻越來(lái)越模糊。人在算法下被解構(gòu)為一個(gè)個(gè)數(shù)據(jù)流；而AI時(shí)代的到來(lái)，使得人工智能變得越來(lái)越趨向于人。人逐漸物化，物逐漸擬人化。
展覽中選擇了兩位雕塑家，他們以人之手創(chuàng)造物，把人的思考具現(xiàn)在物體中。
人言物，物喻人。在人與物不斷變化的關(guān)系中，藝術(shù)作品成為了最佳的詮釋。
孟媛 策展人 清華大學(xué)美術(shù)學(xué)院博士
2021.01.19
When the occasional became normal, the inevitable became our habit, here you see what the covid-19 epidemic did to us from 2019 till 2021. Now we have the most freezing winter in twenty-first Century.
In fact, the preparations for this exhibition have been started since last year. Because of the epidemic situation, the exhibition has been delayed several times and caught up with a new wave of epidemic situation just as we decided our opening ceremony date. Shijiazhuang, Hebei Province is the hometown of sculptor Huang Tiezhou and I. A number of works are also trapped in our hometown, which increases the uncertainty of the exhibition. The charm of art may also lie in this, which produces infinite creativity in the unexpected.
Originally, Huang Tiezhou planned to exhibit a group of characters, which continues his series of human image. The alienated human form in the World (2020) has no gender, the body and face tend to be the same, the eyes are like the warriors’, the mouth seems to roar silently, the waist and limbs are slender, the elongated body full of sense of object seems perfect, and the body movements is exaggerated, all of these elements gather together to form a human field domain. All the features of alienation show the artist's intentional removal of human characteristics. This represent the unity and assimilation in some sense. World represent the sculptor's analysis of human existence and self-consciousness after the removal of human identity and the disappearance of the gaze of the other.
Guo Yu, another sculptor, focuses on the understanding of "object". In his metal relief works, Frame (2020) series, based on the previous sketches, the occasional "shape" is solidified in the way of metal carbon steel, as a hollowed out geometric shape, combined and overlapped in the space with bright colors. Another group of Guo Yu's works relates to his intrerst in examining the shape of objects. In the daily accumulation of his feelings, the object is rotated in different ways and finally becomes the form in his creation. The use value of the object is eliminated, which enlarges the characteristics of the object itself. Through the grasp of the form, it occupies the limited space, thus expressing the thinking of "force" and "order".
The relationship between man and object began to appear in ancient times when our ancestors began to make and use stone tools. In the age of Big Data, the boundaries between people and things are becoming more and more blurred. People are deconstructed as data streams under the algorithm, and the arrival of AI era makes artificial intelligence looks more and more like human being. Gradually, humans are materialized and things imitate people. There are two sculptors in this exhibition. Focusing the theme of human or object, they created objects with human hands and injected human thinking into the objects.
Human becomes object and object becomes human. In the changing relationship between human and object, art works are the best interpretation.
Meng Yuan, Curator,
PhD, Academy of Fine Arts, Tsinghua University
19th, Jan, 2021
關(guān)于藝術(shù)家
About Artist
藝術(shù)家黃鐵舟
黃鐵舟
1988 年出生于河北省石家莊
現(xiàn)為 北京城市學(xué)院藝術(shù)學(xué)部教師
石家莊美術(shù)家協(xié)會(huì)雕塑藝委會(huì)副主任
河北省青年美術(shù)家協(xié)會(huì)常務(wù)理事
誠(chéng)信女子大學(xué)雕塑系博士
教育背景
2021年 誠(chéng)信女子大學(xué)雕塑系博士
2017年 碩士畢業(yè)于廣西藝術(shù)學(xué)院雕塑系
2012年 本科畢業(yè)于廣州美術(shù)學(xué)院雕塑系
主要作品獲獎(jiǎng)及參展情況：
2019年 河北省青年美術(shù)家邀請(qǐng)展“青春的光輝”，石家莊美術(shù)館
2018年 河北省文創(chuàng)大賽并獲獎(jiǎng)，河北博物院
2017年 “傾情揮毫迎盛世?民主法治譜新篇一一迎慶黨的19大勝利召開(kāi)大型書(shū)畫(huà)藝術(shù)展 ”，獲一等獎(jiǎng)
2017年 “安龍木紋杯”石材應(yīng)用國(guó)際創(chuàng)新設(shè)計(jì)鼎石獎(jiǎng)大賽，獲二等獎(jiǎng)，作品被收藏
2016年 湖北“風(fēng)口”邀請(qǐng)展，作品被美術(shù)館收藏
2015年 北京三界外當(dāng)代藝術(shù)展
2015年 湖北東湖青年雕塑家邀請(qǐng)賽，作品被放大，放置于武漢市公共空間
2012年 張家口國(guó)際雕塑邀請(qǐng)賽，獲優(yōu)秀獎(jiǎng)，作品被放大，放置于在張家口市公共空間
Huang Tiezhou
1988
Born in Shijianzhuang, Hebei Province
Now
Beijing City University Art Department teacher
Deputy director of Sculpture Art Committee of Shijiazhuang Artists Association
Executive director of Hebei Young Artists Association
Doctoral Candidate of Sungshin University
Edcational background
2021
Enrolled in Sculpture Department, Sungshin University, Doctoral Candidate
2017
Graduated from Sculpture Department of Guangxi Academy of Arts, Master’s Degree
2012
Graduated from Sculpture Department of Guangzhou Academy of Fine Arts, Bachelor’s Degree
Awards and Exhibitions
2019
Hebei Young Artists Invitation Exhibition "The Glory of Youth", Shijiazhuang Art Museum
2018
Cultural and Creative Contest of Hebei Province , Hebei Museum
2017
First prize of Calligraphy and Painting Art Exhibition in Celebration of the 19th Victory of the Communist Party of China
2017
"Anlong Wood Grain" Stone Application International Innovative Design Ding Shi Award Competition and won the second prize. The works are collected by local institutions
2016
Hubei "Tuyere" Invitation Exhibition, and the work was collected by the art museum
2015
Beijing “Outside the three World” Contemporary Art Exhibition
2015
Hubei East Lake Young Sculptor Invitational Competition, the work was enlarged and placed in the public space of Wuhan city
2012
The Outstanding Award in 2012 Zhangjiakou International Sculpture Invitational Competition, the work is enlarged and placed in the public space of Zhangjiakou
藝術(shù)家郭煜
郭煜
1978 年出生于陜西
2009 北京城市學(xué)院藝術(shù)設(shè)計(jì)學(xué)部教師
2021 現(xiàn)任北京城市學(xué)院藝術(shù)設(shè)計(jì)學(xué)部副主任
中國(guó)雕塑學(xué)會(huì)會(huì)員
中國(guó)現(xiàn)代雕塑研究院研究員
中國(guó)印刷技術(shù)協(xié)會(huì)創(chuàng)意設(shè)計(jì)專(zhuān)業(yè)委員
北京美術(shù)家協(xié)會(huì)會(huì)員
教育背景
2008年碩士畢業(yè)于法國(guó)布爾日國(guó)立高等美術(shù)學(xué)院（Ecole Nationale Superieure d’Art de Bourges），獲法國(guó)國(guó)家高等造型藝術(shù)碩士學(xué)位（DNSEP)；研究生期間跟隨Nicolas Herubel和DIdier Mencoboni 學(xué)習(xí)西方當(dāng)代藝術(shù)，以fragelite（易碎性、不穩(wěn)固）為創(chuàng)作方向。
2004年本科畢業(yè)于西安美術(shù)學(xué)院雕塑系，獲文學(xué)學(xué)士學(xué)位，師從牟運(yùn)道學(xué)習(xí)西方雕塑塑形方法ss、師從陳云崗學(xué)習(xí)中國(guó)塑造語(yǔ)言，參與家父主持的城市雕塑設(shè)計(jì)。
主要作品獲獎(jiǎng)及參展情況：
2019年 雕塑作品《靈動(dòng)》 地點(diǎn)北京長(zhǎng)城資產(chǎn)總部
2018年 數(shù)字雕塑作品《重音符》《微觀(guān)系列之四》《微觀(guān)系列之五》參加獨(dú)有才華聯(lián)展
2017年 數(shù)字雕塑作品《風(fēng)》《過(guò)山云》參加2017北京首屆混凝土雕塑創(chuàng)作營(yíng) 地點(diǎn)北京市昌平北京低碳雕塑園
2017年 數(shù)字雕塑作品《重音符》《過(guò)山云》《微觀(guān)系列之四》《微觀(guān)系列之五》入選2017中國(guó)現(xiàn)代雕塑研究院研究員作品展
2017年 數(shù)字雕塑作品《微觀(guān)系列之四》入選北京美協(xié)2017新人新作展
2016年 數(shù)字雕塑作品《佛本生·九色鹿》入選2016云岡國(guó)際佛教雕塑藝術(shù)大展
2016年 數(shù)字雕塑作品《風(fēng)》入選北京美協(xié)2016新人新作展
2015年 數(shù)字雕塑作品《佛本生·九色鹿》入選第二屆中國(guó)當(dāng)代佛教藝術(shù)展
2014年 數(shù)字雕塑作品《青春筑夢(mèng)》獲得哈爾濱市青年雕塑大賽二等獎(jiǎng)
2012年 雕塑系列作品《器物系列》在美國(guó)紐約州立大學(xué)布法羅學(xué)院展出
2008年 雕塑系列作品《重回自然》 在法國(guó)布爾日國(guó)立高等美術(shù)學(xué)院展出
2007年 雕塑系列作品《證據(jù)》 在法國(guó)布爾日國(guó)立美術(shù)學(xué)院展出
2006年 雕塑作品《回聲》在法國(guó)伊蘇丹市美術(shù)館展出
2012年 設(shè)計(jì)制作《釋迦摩尼坐像》 地點(diǎn)河北省承德市鼎盛王朝
2010年 設(shè)計(jì)制作漢白玉浮雕《九龍壁》 安置于河北省承德行宮酒店外廣場(chǎng)
2004年 雕塑作品《于佑任》獲2004屆西安美術(shù)學(xué)院本科畢業(yè)設(shè)計(jì)作品展一等獎(jiǎng)
2003年 雕塑作品《魚(yú)龍》安置于西安外事學(xué)院圖書(shū)館前廣場(chǎng)
2002年 浮雕作品《道》《器》 安置于西安交通大學(xué)管理學(xué)院教學(xué)樓
Guo Yu
1978
Born in Shanxi Province
2009
Teacher of Art and Design Department, Beijing City University
2021
Deputy Director of Art and Design Department, Beijing City University
Member of China Sculpture Society
Researcher of China Modern Sculpture Institute
Committee member of creative design of China Printing Technology Association
Member of Beijing Artists Association
Edcational background
In 2008, he graduated from Ecole Nationale Superieure d 'Art de Bourges in France with a Master's Degree in National Advanced Plastic Arts (DNSEP).He studied Western contemporary art with Nicolas Herubel and Didier Mencoboni, focusing on Fragelite (fragility, instability) as his inspire.
In 2004, he graduated from the Sculpture Department of Xi 'an Academy of Fine Arts with a Bachelor of Arts degree. He studied Western Sculpture Modeling Method under Mou Yundao and Chinese Sculpture Language under Chen Yungang, and participated in the urban sculpture design presided by his father.
Awards and Exhibitions
2019
Sculpture " Etherealize " displayed at headquarters of Great Wall Capital in Beijing.
2018
The digital sculpture works "Double Note", "Micro Series IV" and "Micro Series V" were exhibited in the exclusive talent exhibition.
2017
The digital sculptures “Wind” and “Clouds Crossing the Mountain” participated in the 2017 Beijing Concrete Sculpture Creation Camp.
2017
Digital sculpture works "Double Notes", "Cloud Crossing the Mountain", "Micro Series IV" and "Micro Series V" were selected into 2017 China Modern Sculpture Research Institute Researcher's Works Exhibition.
2017
The digital sculpture "Micro Series IV" was selected into the 2017 New Artist Exhibition of Beijing Artists Association.
2016
The digital sculpture "Buddha Jataka· Nine Colour Deer" was selected into the 2016 Yungang International Buddhist Sculpture Art Exhibition.
2016
The digital sculpture "Wind" was selected into the 2016 New Artist Exhibition of Beijing Artists Association.
2015
The digital sculpture "Buddha Jataka· Nine Colour Deer" was selected into the second China Contemporary Buddhist Art Exhibition.
2014
The digital sculpture "Youth Building Dreams" won the second prize in Harbin Youth Sculpture Competition.
2012
The sculpture series "Instrumentation Series" was exhibited at the College of Buffalo, State University of New York, USA.
2008
The sculpture series "Return to Nature" was exhibited at the Ecole Nationale Superieure des Beautiers de Bourges.
2007
Sculpture series "Evidence" was exhibited at the Ecole Nationale Superieure des Beautiers de Bourges.
2006
Sculpture "Echo" was exhibited in the Art Museum of Isultan, France.
2012
Designed and produced the Sitting Statue of Sakyamuni in Dingsheng Dynasty, Chengde City, Hebei Province.
2010
Designed and produced the white marble relief "Nine Dragon Wall", placed in the plaza of Chengde Palace Hotel, Hebei Province.
2004
Sculpture "Yu Youren" won the first prize in the 2004 Xi 'an Academy of Fine Arts undergraduate graduation design exhibition.
2003
Sculpture "Fish Dragon" was placed in the square in front of the library of Xi 'an University of Foreign Affairs.
2002
The relief works "Tao" and "Device" were placed in the teaching building of School of Management, Xi 'an Transportation University.
