展覽海報(bào)
展覽名稱:呼喚
藝術(shù)家:李曉剛/張文平/喻昌農(nóng)/汪鵬飛
學(xué)術(shù)主持:鐘涵
策展人:秦?zé)?/p>
主辦單位:橋藝術(shù)空間
開幕時(shí)間:2022年12月10日 下午3:00
展覽時(shí)間:2022年12月10日—2023年2月22日
展覽地點(diǎn):北京朝陽區(qū)酒仙橋路4號(hào)798藝術(shù)區(qū)D09-1
前 言
大家都知道,一個(gè)地區(qū)風(fēng)物的特色,往往能促進(jìn)相應(yīng)范圍內(nèi)他的文化藝術(shù)的發(fā)展。這是藝術(shù)繪畫史上常見的事情,例如我國歷史上有敦煌佛教石窟藝術(shù)的影響千年,古埃及法尤姆地方的蠟染工藝的發(fā)展聞名世界。我們多民族的國家疆域遼闊廣大,近十年來,甘南藏族自治州不斷地引起多地油畫家的熱忱關(guān)注,邊陲地區(qū)已逐漸形成一方采風(fēng)、寫生和創(chuàng)作的新鮮熱土。那些具有地方特色的油畫受到廣泛的重視和研究。
李曉剛 《藏族女子》 30x40cm 酪素坦培拉 2021年
我與四位畫家都是前幾年在中央美術(shù)學(xué)院一個(gè)油畫高研班上結(jié)識(shí)的。那時(shí)我是班上多位老師之一。與二十多位從各地招來的藝術(shù)同行道友,在班上多年相處。去年春天他們四位來京策展,邀請(qǐng)我為此展作文介紹,所以有了本文。
張文平《收獲的季節(jié)》80×160cm-布面油畫-2019年
李曉剛同志有很好的學(xué)歷,早期原在解放軍藝術(shù)學(xué)院畢業(yè),后來又到日本京都藝術(shù)大學(xué)等處留學(xué),對(duì)西方油畫歷史以及技巧等領(lǐng)域已頗為熟悉,又關(guān)注了文藝復(fù)興早期蛋彩畫(弗朗切斯卡)等技法的操作,他回國后,再度到我們美院深度進(jìn)修油畫寫實(shí)的新傳統(tǒng)。近年來還持續(xù)在李庚先生主導(dǎo)的李可染畫院教授弗朗切斯卡濕壁畫等課程。這次參展的作品中《汲水的女人》一圖,是他當(dāng)年在高研班時(shí)期,在詹建俊老師指導(dǎo)下的出色作品。他的壁畫性大作《甘南拉卜楞寺僧眾圖》為山東收藏家所定制和收藏。此次參展同款作品是專為本次展覽重新加工精制,它出色地將名寺的風(fēng)光、僧以及僧俗兩種生活雙向綜合深入,具有鮮明的創(chuàng)造性。
喻昌農(nóng)-《路上景觀》220cmx200cm-布面綜合油彩2022年
張文平同志本人就是甘肅人和甘肅畫家,他在我們高研班時(shí)已經(jīng)帶同班友人多次前往甘南、那時(shí)的作品即已得獎(jiǎng),后來他的工作單位調(diào)離到廣西,從此又建立了三地畫家之間的聯(lián)系。喻昌農(nóng)同志在這個(gè)隊(duì)伍中是新來的高手,他早期遠(yuǎn)赴俄羅斯進(jìn)入圣彼得堡列賓美術(shù)學(xué)院讀完了從本科到研究生的全程,師從名教授梅爾尼科夫畫室,在2010年以油畫創(chuàng)作第一名畢業(yè)(作品是以西藏習(xí)俗《天葬》為題),隨后又在我院高研班畢業(yè)。喻昌農(nóng)同志在藝術(shù)教學(xué)的師座和重新加深油畫創(chuàng)作系列所表現(xiàn)的就是對(duì)甘南遠(yuǎn)山與厚土的反復(fù)回響!
汪鵬飛《拉卜楞49號(hào)-》80x100cm-布面油畫-2017年
我們?cè)谶@里介紹的第四位是與喻昌農(nóng)一同多次去甘南埋頭工作的汪鵬飛同志。汪鵬飛當(dāng)年也在高研班進(jìn)修,后到廣西藝術(shù)學(xué)院工作,近年又再轉(zhuǎn)到中國美院全山石高研班深造,更見新績。他與喻昌農(nóng)兩位如同兄弟一般,共同實(shí)踐甘南近年的新篇章。
我們高興地把這興發(fā)于遠(yuǎn)山與厚土的呼喚、又經(jīng)過四位畫家勤懇實(shí)踐落實(shí)下來的這個(gè)成果煥然表現(xiàn)出來了。
鐘涵
2022年10月1日
Preface
As we all know, the characteristics of a region's scenery can often promote the development of its culture and art within the corresponding scope. This is a common thing in the history of art painting, such as the influence of Dunhuang Buddhist grotto art for thousands of years in our history, and the development of batik technology in Fayoum place in ancient Egypt is world famous. Our multi-ethnic country has a vast territory. In the past ten years, Gannan Tibetan Autonomous Prefecture has continuously attracted the enthusiastic attention of oil painters from many places, and the border areas have gradually formed a fresh hot spot for collecting customs, sketchmaking and creation. Those paintings with local characteristics have been widely valued and studied.
李曉剛-《兩個(gè)僧侶》-40x40cm--酪素坦培拉--2022年
I got acquainted with the four painters several years ago in an oil painting graduate class of the Central Academy of Fine Arts. I was one of several teachers in my class. With more than 20 art colleagues from all over the world, in the class for many years. Last spring, the four of them came to Beijing to curate an exhibition and invited me to write an introduction for the exhibition, hence I write this article.
張文平《轉(zhuǎn)場之三》60×60cm-布面油畫--2018年
Mr.Li Xiaogang has a good record of formal schooling, graduated in the PLA art academy, then study in the schools such as Japan's Kyoto university of the arts, has been very familiar with the western oil painting history and skills, and pay attention to the early Renaissance tempera (franco Francesca) techniques, after he returned home,he came back to our academy depth study the new traditions of realistic painting. In recent years, he has continued to teach Francesca fresco at the Li Keran Art Institute led by Li Geng. One of the works in this exhibition”A Woman collecting Water”, was his outstanding work under the guidance of Mr. Zhan Jianjun when he was in the senior graduate school. His mural masterpiece “Gannan Labrang Monastery monks" is customized and collected by Shandong collectors. The same work in this exhibition is specially reprocessed and refined for this exhibition. It excellently integrates the scenery of the famous temple, the life of the monks and the secular people, with distinct creativity.
喻昌農(nóng)《金色的玉米?!?220cmx200cm-布面綜合油彩2021年
Zhang Wenping himself is a Gansu province painter. When he was in our senior graduate school, he had taken his classmates to Gannan many times, and his works had won prizes at that time. Later, his work unit was transferred to Guangxi, and from then on, he established the connection between the artists of the three places. Yu Changnong is a new player in the team, his early entered Repin academy of fine arts in St Petersburg in Russia finished from undergraduate to graduate, under the famous Melnikov's studio, in 2010 he graduated first in oil painting school, then graduated in our high research graduate class. What Yu Changnong has shown in his art teaching and re-deepening oil painting series is his repeated echoes to the distant mountains and thick soil of Gannan!
汪鵬飛《遠(yuǎn)渡之二》220x200cm-布面油彩-2021年
We are here to introduce the fourth painter that work with Yu Changnong many times to Gannan. Wang Pengfei also studied in the advanced research class that year, and then worked in Guangxi University of the Arts. In recent years, he was transferred to the Quan Shanshi advanced research class of China Academy of Fine Arts, and he has made new achievements. He and Yu Changnong as brothers, common practice Gannan in recent years.
We are happy to express the result which originated from the distant mountains and the thick soil, and which has been put into practice by the four painters diligently.
Zhong Han
October 1,2022
李曉剛
李曉剛
中國美術(shù)家會(huì)員
1983年畢業(yè)于解放軍藝術(shù)學(xué)院美術(shù)系
1992年日本國立大阪教育大學(xué)美術(shù)系繪畫技法專業(yè)碩士研究生畢業(yè)
1994-2000年京都造型藝術(shù)大學(xué)講師
2007年解放軍藝術(shù)學(xué)院兼職教授
2010年-2012年中央美術(shù)學(xué)院油畫創(chuàng)作高研班畢業(yè)
韓國牧園大學(xué)博士研究生導(dǎo)師
李可染畫院研究員,副院長
張文平
張文平
甘肅省慶陽市人
畢業(yè)于西北師范大學(xué)美術(shù)系
2009年進(jìn)修于北京畫院
2010一2012年在中央美術(shù)學(xué)院第二屆油畫高級(jí)研究班學(xué)習(xí)
2017一2019年在文化和旅游部舉辦的首屆主題性美術(shù)創(chuàng)作研究班學(xué)習(xí)
現(xiàn)為廣西藝術(shù)學(xué)院教授,研士研究生導(dǎo)師
中國美術(shù)家協(xié)會(huì)會(huì)員
喻昌農(nóng)
喻昌農(nóng)
江西萬載人
2010年畢業(yè)于列賓美術(shù)學(xué)院
2012年畢業(yè)于中央美術(shù)學(xué)院油畫創(chuàng)作高研班
中國美術(shù)家協(xié)會(huì)會(huì)員
南昌師范學(xué)院教師
汪鵬飛
汪鵬飛
安徽省歙縣人
畢業(yè)于中央美術(shù)學(xué)院油畫系
任教于廣西藝術(shù)學(xué)院油畫系