“塑景”黃振海素描風(fēng)景作品展
主 辦：3+3 空間
策展人：陳 默
藝術(shù)總監(jiān)：滿開慧
助 理：熊 鷹
開幕時(shí)間：2007年3月10日下午3點(diǎn)
展覽日期：2007年3月10日- 3月29日
地點(diǎn)：3+3空間 北京朝陽區(qū)酒仙橋路4號(hào)大山子798藝術(shù)區(qū)
電話：010-64379942 64373432
傳真：010-64379942
網(wǎng)站:www.3plus3.com.cn
Email:mkh@vip.sina.com
“Scene & Model”the artist Huang zhenhai landscape pencil sketch exhibition
Sponsor: 3+3 space
Curator:Chen mo
Art director:Man kaihui
Assistant:Jones xiong
Opening Reception：Mar. 10.2007 3:00pm
Exhibition Date: Mar. 10- Mar. 29，2007
Address:3+3 space 798 Art district NO.4 Jiuxianqiao Rd, Chaoyang District,
Beijing
Tel: 010-64379942 64373432
Fax: 010-64379942
Website:www.3plus3.com.cn
Email:mkh@vip.sina.com
“塑景”黃振海素描風(fēng)景作品展--黃振海集評
按照一般的藝術(shù)經(jīng)驗(yàn)，“景”是“畫”出來的而非“塑”出來的。這是因?yàn)椋鄠鞯漠嬍謧?，?qiáng)調(diào)手藝的精到進(jìn)而獲得視覺愉悅。畫的表面質(zhì)量優(yōu)劣、自是重中之重。這種經(jīng)驗(yàn)的代代沿襲之果，是人們將注意力更多地投向表層的精致和外在的熱鬧，并形成一套教條化的制作程式和閱讀的“樣板”規(guī)則。而塑者是由內(nèi)而外，由里及表。不在意外像的輕浮華麗，但求內(nèi)省的深沉厚道。在個(gè)人修為謹(jǐn)嚴(yán)凝重的鋪墊上，精氣神的綜合發(fā)力，所“塑”之形，由心靈深處緩緩溢出。這和當(dāng)年東坡居士的“眼中竹、心中竹、手中竹”的學(xué)說如出一轍，強(qiáng)調(diào)的是用心“塑”，而非用手“畫”。從這個(gè)意義上講，黃振海因“雕塑”而深得“塑”形之妙理。以人生坎坷而深悟“塑”人之精道。集數(shù)十年學(xué)養(yǎng)于一身，畢其內(nèi)力徐徐釋放。持強(qiáng)守弱，真人不露相。
--------------《用個(gè)人化方式傾力“塑景”》 陳默
……感覺一下回到了三十年前。那時(shí)我們正年輕，無憂無慮，無欲無求，整天用鉛筆描繪眼前的世界。無所謂題材，也沒什么觀念，憑的就是一股熱愛畫畫，畫個(gè)不停的勁頭。在黃振海這些素描里，我又看到了這股勁頭，感到一種熟悉和親切的感覺。這種感覺被我淡忘，已經(jīng)很久了。
……有個(gè)人蓬頭垢出沒山野之中，日復(fù)一日地用一支炭筆畫那些平靜的風(fēng)景。這件事本身就是一個(gè)觀念性很強(qiáng)的行為，這個(gè)觀念就是，在任何利益之鄉(xiāng)很明確的大潮中，總有幾個(gè)逆風(fēng)而行的人在作著別的事。僅此一點(diǎn)，就已經(jīng)使這個(gè)人的行為和這批作品有了價(jià)值。
--------------《素描還有意義嗎》何多苓
在寫生基礎(chǔ)上做些藝術(shù)加工，這是黃振海風(fēng)景素描的工作方式。觀看這些作品時(shí)，一個(gè)老問題又浮現(xiàn)出來：當(dāng)今符號(hào)化的藝術(shù)環(huán)境中，寫生作品意義何在？出路何在？
--------------《看黃振海的畫》稱叢林
有一種迷惑之中的感觸，有一種迷亂之中的感動(dòng)，有一種迷茫之中的感悟。
--------------朱成
黃振海研究和探索素描的各種表現(xiàn)技法，他注意線條、調(diào)子和虛實(shí)的表現(xiàn)力，素描調(diào)子的準(zhǔn)確可以產(chǎn)生色彩的感覺，他刻畫得真好，幅幅都好。常有一些畫家不知道該畫什么，黃振海說：“走出去就知道了，那些人物，那些風(fēng)景令人著迷”。
--------------《單色卻是鮮活的》萬啟仁
“MODEL THE LANDSCAPE” The exhibition of Huang Zhenhai’s landscape sketch
According to our common experience, we use some kinds of media to draw scenery but not to model it. That because among painters, they hand down their painting skills from generation to generation and emphasize the highly skills to provide us vision enjoyment. Therefore, by following the experience of skills in sketch are important factors, people pay more attention to painting’s delicate surface effect and flowery skills, and then a series of doctrinal approach formed according this way. But ones who modeling in sketch is different to someone only draw sketch. It is from inside to outside means originate from heart. They don’t care of colorful appearance but seek to a kind of inside spirit. Thus, model the landscape here means use your heart and soul to model it. According to this, Huang Zhenhai absorbs marrow from model a sculpture and makes use of it in his art to express his art view.
----------Chen Mo
……My feelings seem to turn back to thirty years ago. At that time we were so young; felt free from all anxieties; held ourselves aloof from the world; happy time made us using our pencil to draw the world we saw everyday. We did not care of subject and notion, we draw sketch very diligent only because we love it so much. Now Huang Zhenhai’s sketch arouse my feeling and memory again which I have been forgotten for so long and make me feel intimate with it and touching.
……There have a man who looks unkempt in mountain forest and keep drawing this common place sight day by day. Only judge from this behavior it is a strong notion behavior, because in our society which benefit have drowned many people, there still have someone go against the phenomenon, just for this point has make the artist and his work have meaning.
---------He Duoling
On the basic of draw from life combine with create work is the working way of Huang Zhenhai’s landscape sketch. Seeing this sketch, an old problem is emerge again: whether draw from nature have it own meaning in this symbolic environment of art? If so where is the way out?
-------- Cheng Conglin
We have some thoughts and feelings from puzzling; we feel touching from perplexity; we feel enlightened from confusion.
--------Zhu Cheng
Huang Zhenhai study many kinds of skills about draw sketch, he lays stress on expression by using line, light and shade, consummate skill of sketch could bring us colorful sensation. I think his sketch works are excellent. Always have some painter confused what to draw, but Hang Zhenhai says: “When you go to the nature you could understand by yourself, people and scenery will makes you fascinated.”
-------- Wan Qiren
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