??? 2006年11月1日至2006年11月15日 王孟、馮宇現(xiàn)代油畫藝術(shù)作品展
??? 生活在現(xiàn)代社會(huì)中，忙碌、壓力、喧鬧、無(wú)奈等無(wú)時(shí)無(wú)刻地困繞在每個(gè)人身邊，人們渴望寧?kù)o、放松、體會(huì)……在王孟的畫面中你能看到靜靜的太湖石、靜靜的磚墻、悄悄移動(dòng)的蟬、微風(fēng)中的竹子等，竹子在畫面代表有節(jié)、空、高；畫面中多用直線，直線在畫面中是柔美的，選擇直線正是選擇“大直若曲”的境界，這些看似寧?kù)o的東西，卻凝聚著修煉、脫俗、靈空、潔凈……使人似乎來(lái)到了夢(mèng)幻中的世外桃源，非達(dá)忘我之竟不能進(jìn)入……
??? the bustle, pressure, troubles and limited choice of today’s society incessantly circumscribe everyone. People yearn for quiet, calm, understanding……in wang meng’s paintings you can see the stillness of lakes, the boulders on the shores of lake Tai, quiet brick walls, the silent movements of cicadas and bamboo brushed by a breeze. Bamboo in his paintings represents divisions, emptiness and height; the paintings frequently use straight lines and these are soft and graceful. Choosing a straight line is just like choosing the realm where a “a great stroke seems like a melody” yet at the same time coalescism, freedom from vulgarity, emptiness and purity. This makes people feel as if they have leapt into a world of dreams, unless they have forgotten themselves, they cannot enter……
現(xiàn)代社會(huì)物質(zhì)越來(lái)越豐富，但精神卻越來(lái)越匱乏。馮宇的畫面用兒童和半卡通的形象體現(xiàn)出一種天真與單純，這恰恰是現(xiàn)代人越來(lái)越遠(yuǎn)離的東西，但形象所展現(xiàn)出的行為對(duì)兒童來(lái)說(shuō)是天真的，但對(duì)現(xiàn)代人來(lái)說(shuō)卻是荒誕的、無(wú)理的和難以實(shí)現(xiàn)的。這和現(xiàn)代人內(nèi)心所向往的東西是矛盾的。同時(shí)他的畫面用符號(hào)化的語(yǔ)言，使其呈現(xiàn)出一種病態(tài)的效果，色彩多怪異奇麗，都是表現(xiàn)現(xiàn)代人華麗、輕佻、浮躁的物質(zhì)外衣。作品表現(xiàn)出的既是童年的行為，其實(shí)又是現(xiàn)代人的生存狀態(tài)。畫面語(yǔ)言輕松、有趣、幽默、動(dòng)感……
The material life of modern society is increasingly rich but its spiritual life is more and more deficient. Feng yu’s paintings use the images of children and cartoon-like images to realize a kind of naivet and simplicity which are exactly what modern day people are increasingly distancing themselves from. But the actions shown in these images are na?ve in the eyes of children but for modern day people absurdly illogical and difficult to realize. This contradicts everything that people today strive for.
At the same time his paintings use symbolism to create the effect of a kind of morbidness, the colors are strangely beautiful and it all expresses the magnificence, frivolousness, impulsiveness of the outer clothing of materiality. Even though the works express the actions of children, but they also show the living condition of modern man. The paintings are light, interesting, humorous and emotive……
2006年11月1日至11月30日秦昊畫廊現(xiàn)代油畫藝術(shù)作品展
展出姜天雨等十幾位當(dāng)代中、青年藝術(shù)家的現(xiàn)代油畫藝術(shù)作品三十多幅。
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