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從祖敘到依夫魯

藝術(shù)中國 | 時(shí)間: 2007-04-11 10:23:49 | 文章來源: 今日美術(shù)館
 

從祖敘到依夫魯
D Zush A Evru

主辦/北京今日美術(shù)館
制作/西班牙國家對(duì)外文化合作署,西班牙外交與合作部
展覽時(shí)間/2007年4月13日—5月3日
展覽地點(diǎn)/北京今日美術(shù)館三層展廳
地址:北京市朝陽區(qū)百子灣路32號(hào)蘋果社區(qū)4號(hào)樓
聯(lián)系電話/8610-58760011

ORGANIZED BY/BEIJING TODAY ART MUSEUM
PRODUCED BY/ STATE CORPORATION FOR SPANISH CULTURAL ACTION ABROAD (SEACEX) AND THE MINISTRY FOR FOREIGN AFFAIRS AND COOPERATION
DURATION/ 13th April—3rd May 2007
VENUE/ BEIJING TODAY ART MUSEUM,3rd Floor.
ADDRESS/Building 4, No.32 BAIZIWAN ROAD,CHAOYANG DISTRICT, BEIJING
CONTACT/ 8610-58760011


For other art exhibitions’ information of the Year of Spain in China

這次展覽將全方位地呈現(xiàn)西班牙巴塞羅那藝術(shù)家艾伯特-普塔的藝術(shù)作品。艾伯特以兩個(gè)不同的身份來進(jìn)行創(chuàng)作:第一個(gè)是祖敘(1968–2000年),隨后是伊夫魯(2000年至今)。作為一個(gè)雕塑家、畫家、數(shù)碼藝術(shù)家、科學(xué)家和神秘主義者,祖敘-伊夫魯在歐洲超現(xiàn)實(shí)主義和現(xiàn)代的械裝置美學(xué)的影響下,創(chuàng)作出了大量風(fēng)格獨(dú)特的作品。

展品將包括藝術(shù)家最具代表性的作品,如“Gran Leda”,“Djin Jesud”和“受害人”,以及“伊夫魯時(shí)期”的最新作品。一些大篇幅的數(shù)碼照片新作,如“Eria” 和“Verudo”也將第一次展現(xiàn)在公眾面前。

祖敘-伊夫魯?shù)淖髌沸问蕉鄻樱粌H有像紙本、帆布和木頭等傳統(tǒng)媒介還包括創(chuàng)新的科技媒介,像電腦創(chuàng)作的作品、大幅數(shù)碼照片、甚至軟件程序Tecura。Tecura是一個(gè)數(shù)碼繪畫設(shè)備,參觀者可通過藝術(shù)家提供的工具和圖像來創(chuàng)作他們自己的作品。

Evrugo精神國度是祖敘于1968年創(chuàng)建的一個(gè)虛擬世界,以“出入境管理局”為代表。Evrugo相當(dāng)于一個(gè)真實(shí)的國家,擁有自己的法律,使用自己的貨幣(Tucare)和語言(Asura)。這里一切皆有可能,參觀者可在這個(gè)想象的國度里思考身份、邊界和限度等概念。

歡迎進(jìn)入Evrugo精神國度!


This exhibition provides an overview of Albert Porta’s (Barcelona, Spain) back catalogue. This artist has developed his art under the creation of two alter-egos, first Zush (1968–2000) and now Evru (2000-present). Sculptor, painter, digital artist, scientist and mystic, Zush-Evru has created a body of work with a very personal iconography, which feeds from European surrealism as well as the most up-to-date cyborg aesthetics.  

Some of the artist’s most emblematic pieces, such as Gran Leda, Djin Jesud and The Victims, along with more recent work by Evru are to be found in these rooms, and new, large format digital photographs, such as Eria and Verudo, are going to be presented to the public for the first time.

The work of Zush-Evru takes form in the most varied of ways: using traditional methods such as paper, canvas and wood, but also the most innovative of techniques, provided to us by the development of technology over recent years. Examples of this include computer-aided digitally generated works, large format digital photographs and the Tecura software program, which has been brought up to date for this occasion. Tecura is a digital painting machine that invites the spectator to create their own work of art based on the tools and images suggested by the artist.

Evrugo Mental State is the imaginary state founded by Zush in 1968, and which is symbolically represented here in the Office of Flows, a space within another space, a single territory defined within the very walls of the National University Museum. Evrugo is a space parallel to the real world, with its own specific laws, its own currency: the Tucare; its own language: Asura; it is an imaginary territory where everything is possible and where we invite the spectator to contemplate concepts such as identity, borders and the limits that everyone seeks to place on their imagination.

Welcome to Evrugo Mental State!

艾伯特-普塔,1946年出生于西班牙的巴塞羅那,1968年以來,相繼以兩個(gè)不同身份創(chuàng)作了大量的藝術(shù)作品——身份一:祖敘(1968-2000年);身份二:伊夫魯(2000年至今)。

這位雕塑家、畫家、數(shù)碼藝術(shù)家、科學(xué)家和神秘主義者深受歐洲超現(xiàn)實(shí)主義和現(xiàn)代機(jī)械裝置美學(xué)的影響,帶有神經(jīng)質(zhì)的創(chuàng)作風(fēng)格令人過目難忘,在當(dāng)代藝術(shù)領(lǐng)域獨(dú)樹一幟。作為西班牙當(dāng)代最重要的藝術(shù)家,祖敘-伊夫魯在把新科技運(yùn)用于藝術(shù)創(chuàng)作方面也做了頗多大膽嘗試和創(chuàng)新。

祖敘-伊夫魯?shù)淖髌吩霈F(xiàn)在西班牙國內(nèi)外最著名的當(dāng)代藝術(shù)場館中,2000年,他的大型回顧展在馬德里的索菲婭王后現(xiàn)代藝術(shù)中心(MNCARS)和巴塞羅那的當(dāng)代藝術(shù)館(MACBA)舉辦;此外,他還參加過德國卡塞爾文獻(xiàn)展,他的作品曾在法國蓬皮杜藝術(shù)中心和紐約古根海姆美術(shù)館展出,紐約現(xiàn)代美術(shù)館(MOMA)也收藏了他的作品。


Albert Porta (Barcelona, Spain, 1946), has developed his work through the creation of two alternative identities, Zush, (1968-2000), a psychomanualdigital artist and Evru, (2000-present), an artsciemyst, that is to say: artist-scientist and mystic.

Zush-Evru is one of the most important Spanish artists of his generation, and stands out as a pioneer in the use of new technologies applied to plastic creation. In 1968 he created Evrugo Mental State for himself, an imaginary state that has its own currency, called tucares, its own national anthem and flag: he has even developed his own alphabet, the Asura.

The works of Zush-Evru have been shown in the most important contemporary art museums of Spain; in 2000 large exhibits were dedicated to retrospectives of his work in the Museo Nacional Centro de Arte Reina Sofía (MNCARS), Madrid, and in the Museo de Arte Contemporáneo (MACBA) of Barcelona. Furthermore, he has been selected to participate in the most prestigious international exhibits such as Documenta in Kassel, in Germany. His work has been shown in the Georges Pompidou Centre, Paris and in the Guggenheim, New York and is part, with other centres, of the New York MOMA collection.



 
 
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