從六里屯到三影堂——榮榮、映里新作展

　　這個(gè)展覽的名稱有兩層含義，一層涉及中國的城市變化，另一層與榮榮、映里的個(gè)人生活有關(guān)。首先它把這個(gè)展覽和北京東郊的兩個(gè)特定地點(diǎn)聯(lián)系起來：六里屯——榮榮和映里在那個(gè)傳統(tǒng)小村里生活到它在2003年毀滅的一刻；三影堂——五年后這兩個(gè)藝術(shù)家在草場地村創(chuàng)建了這座嶄新的當(dāng)代攝影藝術(shù)中心。在更廣的意義上，這兩個(gè)地點(diǎn)的命運(yùn)反映了北京的持續(xù)毀壞和建設(shè)，以及中國當(dāng)代藝術(shù)在這些年里的迅速變化。

　　但是"從六里屯到三影堂"還有著更深更私密的一層意味：隨著三影堂的建立，榮榮和映里的家庭也在不斷成長。如今他們已是三個(gè)孩子的父母，新地點(diǎn)和新生命的誕生因此交織在一起。

　　使用不同的視覺語言，這個(gè)展覽以六個(gè)攝影系列展示出這兩個(gè)相互交織的變化過程。置于展廳起始和結(jié)尾處的兩個(gè)系列分別表現(xiàn)六里屯的最后時(shí)日和三影堂的創(chuàng)建伊始。它們的紀(jì)實(shí)風(fēng)格與位于二者之間的四個(gè)系列形成鮮明對比，但同時(shí)又為后者提供了一個(gè)整體的敘事框架。這后四個(gè)系列從不同角度探尋兩位藝術(shù)家的關(guān)系以及人類生命繁殖的秘密。展示于一個(gè)彎曲的"甬道"之中，它們構(gòu)成了北京城市變化外部世界之中的一個(gè)內(nèi)部景觀。

　　巫鴻
　　二零零八年七月

　　陳吟（國內(nèi)）press@threeshadows.cn
　　董曉安（國際）stephanie@threeshadows.cn

　　三影堂攝影藝術(shù)中心
　　北京朝陽區(qū)草場地155號（100015）
　　86-10-64322663 / 64319063 / 64319693
　　www.threeshadows.cn

　　"From Six Mile Village to Three Shadows"
　　New Works by Rong Rong and Inri

　　The title of this exhibition has two implications, one referring to China's urban transformation, the other to Rong Rong and inri's personal lives. First, this title ties the exhibition to two places in Beijing's east suburbs: Liulitun – Six Mile Village – where the two artists lived together before this traditional village was demolished in 2003, and the Three Shadows Photography Art Centre at Caochangdi, which they together established in 2006. In a general sense, the fate of these two places represents Beijing's ongoing destruction and construction, as well as the rapid changes in contemporary Chinese art over the past five years.

　　But "From Six Mile Village to Three Shadows" also has a more intimate meaning to the two artists: with the founding of Three Shadows, their family has grown and now they are parents of three children. The birth of a new place is intertwined with that of human lives.

　　Employing different visual languages, this exhibition represents these two transformations in six sections. Two series of photographs, one placed at the beginning of the gallery space, and one at the end, record the final days of the Six Mile Village and the construction of Three Shadows. With an explicit documentary style, these images contrast with while framing the other four sequences, which explore the artists' relationship and the mystery of human reproduction. Displayed in a winding "tunnel" constructed inside the gallery, works in this second group form an interior landscape within the external world of Beijing's transformation.

　　Wu Hung
　　July 2008

　　Yam Chan (China): press@threeshadows.cn
　　Stephanie (International): Stephanie@threeshadows.cn

　　Three Shadows Photography Art Centre
　　No. 155A Caochangdi, Chaoyang District, Beijing
　　+86 10 6432 2663 / 6431 9063 / 6431 9693
　　www.threeshadows.cn