展期：2008年08月19日至2009年2月28日

　　地址：FakeSpace 北京市朝陽(yáng)區(qū)百子灣32號(hào)蘋果社區(qū)北區(qū)3B-111（今日美術(shù)館東側(cè)）

　　藝術(shù)家：孟瑾 & 方二 Fake Studio

　　這次在FakeSpace空間里所呈現(xiàn)的是兩位藝術(shù)家試圖在城市變遷和個(gè)人記憶之間建立聯(lián)系的作品展。 孟瑾 作為一個(gè)生于上世紀(jì)70年代的藝術(shù)家，在處理意識(shí)形態(tài)主題時(shí)，他更愿意用一種比較超現(xiàn)實(shí)主義或者抽象的手法來(lái)表達(dá)一種虛無(wú)的意識(shí)形態(tài)景觀。無(wú)論是他的《有風(fēng)景的房間》（1999年）中出現(xiàn)的政治意識(shí)形態(tài)建筑，還是最近的《每個(gè)房間都被點(diǎn)亮》中帶有油畫感的政治寓言圖像，政治和意識(shí)形態(tài)仿佛只是存在于個(gè)人的想象和意念當(dāng)中，藝術(shù)家可以在這個(gè)主題空間里任意發(fā)揮。 他透過對(duì)建筑空間內(nèi)部的觀察，試圖揭露其中帶有權(quán)利感和制度化信息。

　　另一位藝術(shù)家方二雖然生于臺(tái)灣，但成長(zhǎng)過程十幾年來(lái)從澳洲到美國(guó)，最后在英國(guó)認(rèn)識(shí)了孟瑾，2006年春天，方二決定與孟瑾一同到北京工作，來(lái)到北京居住的這幾年時(shí)間對(duì)于她個(gè)人來(lái)說(shuō)，顛覆了她常年對(duì)于城市的信仰。 她發(fā)現(xiàn)“ 速度”并不構(gòu)成大家對(duì)北京這座城市的興奮，而是變化所帶來(lái)的“混亂”讓這座城市生機(jī)勃勃。這引發(fā)了她對(duì)于形體構(gòu)成和內(nèi)部秩序的興趣，從發(fā)現(xiàn)二維和三維之間隱藏的美感，到視覺對(duì)稱性的微妙認(rèn)知，她創(chuàng)造了的作品單純而強(qiáng)烈，并收集人們身邊的日常物品來(lái)啟發(fā)對(duì)于社會(huì)層級(jí)關(guān)系的聯(lián)想。

　　兩位藝術(shù)家，他們是工作的partner，同時(shí)也是戀人，在2008年的夏天因?yàn)橛辛诵碌纳妥８?，需要他們暫時(shí)離開忙碌的工作狀態(tài)。 這次在FakeSpace的展覽就叫《填空》，F(xiàn)ill Up Space不但能體現(xiàn)他們作品的關(guān)注與特色，同時(shí)也反應(yīng)他們真實(shí)人生的現(xiàn)階段空白與變化。

　　FakeSpace北京虛空間是孟瑾和方二在北京的工作室之一， 由于地處市中心并同時(shí)位在今日美術(shù)館的隔壁。他們?cè)诟嗟臅r(shí)間是提供這個(gè)空間給他們?cè)谑澜缯J(rèn)識(shí)的藝術(shù)家與設(shè)計(jì)師朋友來(lái)這里做展覽，作為在北京發(fā)聲的小小舞臺(tái)。這里不僅是一個(gè)集會(huì)的地點(diǎn)，對(duì)于他們來(lái)說(shuō)也是一個(gè)集生活、工作、展覽和娛樂于一體的地方。 自2006年開始積極推動(dòng)后街頭藝術(shù)和新興跨界創(chuàng)意。策劃了包括Start Making Sense! 開始言之有物 等涂鴉藝術(shù)家的群展，英倫惡童Pure Evil在北京的首次個(gè)展，以及 優(yōu)雅的反抗—向基本形體致敬的幾何展等。

　　Date: August 19th, 2008 – February 28th, 2009

　　Location: FakeSpace

　　Address: 3B – 111, Pingguoshequ, 32 Baiziwan Road, Chaoyang District, Beijing 100022

　　Tel: +86 (0) 10 5826 4512

　　Fake was founded in London in 2000 by artist Fang Er. Meng Jin joined in 2004 sharing a love for contemporary art and design, subsequently moving to Beijing in 2006. Much like the name, Fake plays at the grey area between art and design, engaging with art activities also it involves in design projects.

　　Fill Up Space is the showcase of those two’s work that explores the relationship between urban transition and individual memory. Meng Jin is a local artist who was born in 70’s from last century. The way he approaches ideology is rather surrealistic or abstract, which builds up a meaningless social magnificence. His early work “A Room with A View” collected many public political buildings in Beijing, while his recent photo series “Every Room is Illuminated” creates pale and blur interiors with the mean of institutional power. Those work plays with the institutional contexts and political propagandas but they are all inside a room of his private imagination.

　　Fang Er was born in Taipei and grew up in different countries from Australia to America. After she met Meng Jin in England, they then moved to Beijing together in 2006. The experiences of living in Beijing to her has been overturned her believe and understanding of urban city. She found out that “speed” of the Beijing wasn’t really exciting. It was the “confusion” of this city keeps everything alive. She has been fascinated by the internal structure and systematic order, which lead her to discover the hidden atheistic between 2D and 3D, as well as the sensibility of symmetry. Fang Er employs found objects she collected from everyday life to create the atmospheres of social class. Her work is often simple but impressive.

　　Both are artists, the working mates, as well as lovers. Because of their lovely baby is coming up soon, they need to be off work for a while. The period that leaves the space for their Beijing life, but here at Fake Space they took their art works to fill up the physical space.

　　FakeSpace is the Beijing studio space of Fang Er and Meng Jin. It locates in the complex of Today Art Museum in downtown. It is also a show room for many of their friends who share the love of art and design. They come to here for making pieces, giving talks and making friends. Since it physically existed in 2006, it has held many cutting age exhibitions range from post-graffiti to cross over design events, including “Start Making Sense” street art group exhibition, Pure Evil Beijing show, “Beautiful Resistance – respects to basic shapes” etc.