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VISUAL x MUSIC @ OX-WAREHOUSE
「4月23日，所見為音符，所聽為影像，撞擊交融，一場跨感演出?！?/p>
時間/Time：4/23 20:00(晚上8時正)
地點/ Venue：牛房倉庫 / Ox Warehouse
門票/Ticket: MOP $100
售票點/Ticket Office：
牛房倉庫及邊度有書 / Ox Warehouse & Pinto Livros (牛房之友、邊度有書之友及學生可享MOP$70票價優(yōu)惠，購票時須出示有效證件) (Special ticket purchase at MOP$70 are open for Friends of Ox Warehouse,Pinto Livros and students .Please present vaild ID during purchase)
現(xiàn)場不設劃位 Seats are not assigned
主辦 / Organizer：婆仔屋藝術空間 / 澳門大學學生會國際電影學會 / 節(jié)點文化
協(xié)辦 / Co-Organizer：邊度有書 / 拍板視覺藝術團
贊助 / Sponsor﹕教育暨青年局 DSEJ, 澳門文化局
音樂人介紹：
Kashiwa Daisuke (柏大輔)
http://www.myspace.com/kashiwadaisuke
日本廣島出生。高中時代曾經(jīng)組過樂團，于04年開始個人創(chuàng)作，在阪本龍一的“RADIO SAKAMOTO”播放作品后，其充滿影像感的聲響呈現(xiàn)引起廣泛關注。05年在德國前衛(wèi)廠牌[onpa]參與合輯，后在[onpa]發(fā)行個人首張專輯《April.#02》?！秔rogram music I》是07年在日本著名獨立廠牌noble發(fā)表第二張專輯，以日本國寶作家宮澤賢治的《銀河鐵道之夜》與太宰治的《奔跑吧，梅洛斯》作為兩首作品的母題，以其狂暴偏執(zhí)的密集式拼貼與錯誤美學手段，將長篇室內(nèi)樂章加以拆解扭曲再重組，呈現(xiàn)氣勢迫人的極速異質(zhì)聲響世界。在最新作品《5 Dec.》當中，則大量使用人聲采樣與更暴烈的噪音與金屬吉他狂飆，伴隨的是各式電子節(jié)奏氛圍，從break core、down tempo、bleep techno到drum n’ bass，卻在往后出現(xiàn)戲劇性轉(zhuǎn)折，一切噪動回歸平靜的微模電音與鋼琴，柏大輔始終對聲響與留白之間的迷人反差有著異于尋常的狂想，孕育出獨特的金屬美學觀。
Influenced by progressive rock, kashiwa daisuke started composing music as a student. 2004, the artist started his solo activities as kashiwa daisuke and toured Germany in 2005. 2006 saw the release of his first album, “april.#02” by Germany’s onpa label, followed by his remix album, “april.#07” in 2007 with guest remixers such as olive oil, and Takeshi Nishimoto (I’m not a Gun). In August of that year, kashiwa released his second album “program music I” from noble labels. September 2008, kashiwa performed at the outdoor festival, Sense of Wonder. The sounds of kashiwa daisuke were introduced in RADIO SAKAMOTO, a radio program by Ryuichi Sakamoto as well as in the sunaokuwahara “2006 Autumn/ Winter Collection”, and his music continues to gather news in a range of other areas including TV programs and commercials. In addition to his own musical activities, the artist provides music to a variety of media and also works as an author, remixer, and mastering engineer. His new album, “5 Dec.” is scheduled for release in February 2009.
Desktop Error
http://www.myspace.com/desktoperror
來自曼谷的desktop error是當前泰國最具爆炸性的后搖滾樂隊，從早期深受90年代英國另類搖滾影響，及后加入曼谷獨立音樂廠牌SO::ON Dry Flower即展現(xiàn)他們自身獨特樂風，06年出版首張ep《Instinct》，六首曲子滿載厚實吉他音墻與另類搖滾節(jié)奏，粗獷活力十足的現(xiàn)場演出迅速吸引曼谷地下?lián)u滾樂迷與媒體注目。09年正式出版首張專輯《Ticket to Home》，一口氣收錄了14首他們的自創(chuàng)曲，首支單曲Took Took Wan (Everyday)即一嗚驚人登上電臺排行榜冠軍達三周之久，樂隊吉他手Adisak Poung-ok (Bird)以他廣泛的音樂技能與獨特的音樂品味，甚至加上傳統(tǒng)泰國樂器，讓樂隊的風格得以確立，從泰國民謠、Shoegazing到后搖，一隊拒絕被歸類的強大音樂個體。
Desktop error began as a few high school buddies Tui (Bass), Meng (Drums), Bird (Guitar,keyboard), Op (Guitar) who were inspired by the 90's Brit alternative tunes. The band was completed after Lek (vocals) joined them a few years later. Desktop error started off their music career by playing indie rock covers at a small pub in downtown called Lullabar (one of few venue where kids can enjoy good live music in Bangkok). They soon decided that playing other people!s songs was not enough for them and began making their own under the name Desktop Error. They came to local indie label SO::ON Dry Flower with their uniquely heavy mind capturing music. Soon they released their debut mini album Instinct in 2006. The album is composed of 6 songs with thick wall of guitar sounds and alternative beats. Their yet rough but energetic live performance gained attention from local music listeners and media. In 2009, they released long awaited first full album Ticket to Home, they have spent 3 years to compose more than 20 songs and captured 14 of them into this album. Songs become more simple and strong with good melodies. As a result, their first single Took Took Wan (Everyday) stayed number one at radio chart for 3 weeks. Guitarist Bird's wide musical skill add unique taste to band's music, especially when he play Thai traditional instrument. Album consists variety of music style, from Thai folk to Shoegazer as if they refuse to be categorized in one genre.
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