將不可名狀之物轉(zhuǎn)換為有形式的物體，追問“何謂感覺” 

Invisible subjects are converted into physical objects, in an effort to reveal“what are feelings”

藝術(shù)家簡(jiǎn)介

何翔宇

1986年生于遼寧省

何翔宇的創(chuàng)作實(shí)踐可以被視作各類個(gè)體、社會(huì)和政治主題的材料測(cè)試場(chǎng)和觀念實(shí)驗(yàn)室。作為一名在中國(guó)迅速城市化時(shí)期成長(zhǎng)起來(lái)的藝術(shù)家，何翔宇嘗試由物體間的轉(zhuǎn)化體現(xiàn)或引導(dǎo)感知。他曾入圍2014年平丘克“未來(lái)世代藝術(shù)獎(jiǎng)”決賽，獲得2016年CCAA年度“最佳年輕藝術(shù)家獎(jiǎng)”以及2016年的“ARTNET新銳藝術(shù)家獎(jiǎng)”。曾參與的主要展覽及展映包括：“全球都市1.5:延展智慧”國(guó)際藝術(shù)雙年展（2018）；“故事新編”電影展映項(xiàng)目（電影作品《The Swim》放映），古根海姆美術(shù)館，紐約（2017）；卡蒂斯特藝術(shù)基金會(huì)“土與石,靈與歌”亞洲藝術(shù)巡回群展（2016－2018）；里昂雙年展，里昂（2015）；上海雙年展（2014）；橫濱三年展（2014）；釜山雙年展（2014）等。

He Xiangyu

Born in Liaoning Province, China, in 1986

He Xiangyu’s art practice could be seen as a proving ground or a laboratory of mate-rials and concepts, in which he investigates and engages with a variety of personal, social and political subjects. Grown up from a dramatic period of rapid urbanization in China, He’s practice is centered on representing or manipulating cognitive senses through transformation between different materials. He Xiangyu was named as a final-ist for the“Future Generation Art Prize” (2014), and won the 10th CCAA“Best Young Artist” Award (2016) and the“ARTNET Emerging Artist Prize” (2016). Recent exhibi-tions include: Cosmopolis #1.5: Enlarged Intelligence. Centre Pompidou + Mao Jihong Art Foundation, Chengdu, China (2018); Tales of Our Time Film Program (Screening of the film“The Swim”), Guggenheim Museum New York, New York (2017); Soil and Stones, Souls and Songs by Kadist Art Foundation (2016-2018); Lyon Bien-nale(2015); Fire and Forget: On Violence, KW Institute for Contemporary Art, Ber-lin(2015); Shanghai Biennale (2014); Busan Biennale (2014).