作品闡述

2012生成與彌散

陳琦 /水印木刻 / 380cmX4200cm

生成與彌散是一件大型裝置，橫幅巨制在單薄的展墻上拉開了動(dòng)與靜結(jié)合的視覺體驗(yàn)。大型水波紋是藝術(shù)家使用木刻水印制作而成，木刻水印是中國古代版畫制作的偉大創(chuàng)造，用古老的技法創(chuàng)造當(dāng)代藝術(shù)，這種“生成”的意味在過程中被凝聚起來。“生成與彌散”是建構(gòu)與解構(gòu)、是入世與出世、是存在與消亡、是有與無。在重重疊疊的景致中似動(dòng)、也似乎靜。這種體驗(yàn)是微妙的，是循環(huán)的，也是安靜的、祥和的。“仁者樂山，智者樂水”，黑與白的紋路在這里不僅僅是視覺感受，更是對(duì)中國古老智慧的再一次追尋。

The Born and Expansion of 2012

Chen Qi / Woodblock Print / 380cmX4200cm

“The Born and Expansion 2012” is a large-scale installation, with huge landscape prints displayed on thin walls, presenting a combined dynamic and static visual experience. The water-ripple patterns are made by the artist using the woodblock watermark technique, which is a great invention of ancient Chinese printmakers. The concept of“generation” is embodied in the process of using an ancient technique to create a contemporary artwork.“The Born and Expansion 2012” epitomizes the unity of construction and deconstruction, worldliness and heavenliness, existence and non-existence, being and not-being. The layers of overlapping landscapes seem to be dynamic and static at the same time. The visual experience is subtle, cyclical, tranquil and peaceful. As the ancient Chinese saying goes,“the wise man delights in water, while the Good man delights in mountains.” The black and white patterns in this artwork not only appeal to the visual sense, but also explore further into ancient Chinese wisdom.