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盲區(qū):駱太生作品展

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藝術(shù)中國 | 時間: 2009-02-09 11:28:26 | 文章來源: 藝術(shù)中國
 
迷失 lost,130x150cm,oil on canvas,2008


  展覽主題:盲區(qū):駱太生作品展

  展覽日期:2009年2月14日---2009年3月20日

  展覽地址:北京空間畫廊(北京朝陽區(qū)草場地紅1號院C4座)

  電話:8610 51273246 傳真:8610 51273246

  網(wǎng)站:www.gallerybeijingspace.com

  E-Mail: gallerybeijing@gmail.com

  Exhibition Theme: Blind Area---Luo Taisheng Solo Exhibition

  Exhibition Dates: 2.14.2009---3.20.2009

  Add: Gallery Beijing Space (No.C4,Red Yard,Caochangdi,Chaoyang District,Beijing China)

  Tel: 8610 51273246 Fax:8610 51273246

  Wedsite: www.gallerybeijingspace.com

  E-Mail: gallerybeijing@gmail.com

 
說不準 do't know,140x180cm,oil on canvas,2008


  展覽前言:

  盲區(qū)

  蒼白,在這樣一個物質(zhì)時尚瘋狂的時代。

  駱太生的藝術(shù)世界是冷漠無情的,他以一種無所謂的態(tài)度來描述發(fā)生在市井小巷里的無味和繁瑣的生活殘片,帶著生澀而粗劣的生活痕跡,把一切都包裝在真空中,呈現(xiàn)在觀眾面前,讓人觸手可及。作品用支離破碎的記憶描述著一個個脆弱的鏡頭,一些被屏蔽的社會陰暗殘缺圖片,沒有創(chuàng)作母題卻有懷疑與隱寓性的整體聯(lián)系。他并沒有用現(xiàn)實主義的手法直接描繪,而是含蓄地把危險淺藏在畫布的背后,給人一種隱逸的傷感情緒,強烈的心理暗示讓莫名的緊張和不安始終縈繞心頭,有著無窮的爆發(fā)力,讓人隱隱作痛。物體與人物暗示著精神的隱患,不受理性支配而憑本能與想象,表現(xiàn)地比現(xiàn)實世界更真實,比現(xiàn)實世界的再現(xiàn)更具重大意義。

  對一個社會的深刻理解,卻永遠適應不了它的多面性。也許正是這樣的感覺讓藝術(shù)家享受著這樣的過程。

  值得一提的是,展覽的最后藝術(shù)家要以暴力的方式將展出的作品全部銷毀,為這次展覽殺青,給自己在一個階段的思考狀態(tài)和藝術(shù)創(chuàng)作一個不是結(jié)局的結(jié)局,從而轉(zhuǎn)換成另一種藝術(shù)形態(tài)存在。

 

  Exhibition profile:

  Blind spots

  Pale, in such a fashion material crazy times.

  Luo Taisheng’s art world is cold and indifferent, and he described the tasteless affair occurred in the street and alley in a careless manner.with jerky and crude signs of life.all is packaged in the vacuum. Showed to the audience, Just like they can reach it.Works descriped by fragmented memories with a brittle camera,the pictures with the dark side of society which is shielded.there is no theme but with creative motif and the hidden nature of overall ties.He did not use a direct realistic approach depicts,but hide the risk in the back of the canvas implicitly, gives a sad feeling of Seclusion and strongly hinted that the psychological sense so that the tension and uncertainty lingering in the heart. Always with endless Power. Objects and figures suggests the spirit of the dangers.and they accepted at the disposal of instinct and imagination.and the performance is more real than the real world and more significant.

  A deep understanding of the society,but it can not accommodate its multiformity.Perhaps this is just why artists enjoy the feeling of this process.

  It is worth mentioning that artists will destroy all the works on display with violence at the end this exhibition.To be the result of thinking status and artistic creation in a certain period which converted to another art form of existence.

工具tool,140x180cm,oil on canvas,2008

 

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