黃致陽，靈獸（局部），黃銅、金箔，135 x 86 x 132 cm，2008

　　黃致陽《永遠(yuǎn)的邊界》個展

　　北京藝門畫廊

　　2009年2月21日-4月30日

　　臺灣藝術(shù)家黃致陽個展開幕酒會：2009年2月21日下午2點到6點。歡迎光臨！

　　藝術(shù)家自述：

　　在我看來，從一定的時空距離之外看待事物從來都很重要。因此，我傾向于在審視人生時，當(dāng)一個局外人，與主流刻意保持一定的距離，仿佛“游移”在日常生活的主流之外。對我來說，“游移”通常意味著對周圍環(huán)境和現(xiàn)狀的質(zhì)疑?？梢哉f，對于生活我有著自己堅持的一種態(tài)度，也就是刻意與主流以及或許被他人視作重心的東西保持一定的距離。

　　對大多數(shù)人來說，當(dāng)代藝術(shù)已被理所當(dāng)然地作為日常生活的有機(jī)組成部分。然而，這并不意味著當(dāng)代藝術(shù)的潮流能夠解決生活中的所有問題或成為主流的一部分。大部分所謂“當(dāng)代藝術(shù)”無非是為了滿足市場需求和我們對于最新消費(fèi)產(chǎn)品和西洋景的難填欲壑所出現(xiàn)的副產(chǎn)品或現(xiàn)象。今天，大量“當(dāng)代藝術(shù)”只不過是制造了社會現(xiàn)實的模糊影像，都是些因為遠(yuǎn)離現(xiàn)實而常常顯得虛假而庸俗的形象?，F(xiàn)在的“當(dāng)代藝術(shù)”可不像以前那個“現(xiàn)代藝術(shù)”那樣致力于描述現(xiàn)實和有血有肉的活動中的飽滿份量，而是常常缺乏意義和內(nèi)容，總趨從于日常生活中流行的——以及表面的——東西。所以我覺得是時候給目前所謂的“當(dāng)代藝術(shù)”換個更恰當(dāng)?shù)脑~了。

　　應(yīng)當(dāng)承認(rèn)的是，我自己也加入了制造“當(dāng)代藝術(shù)”的行列。從前我覺得自己是一個藝術(shù)創(chuàng)作者，而現(xiàn)在我自認(rèn)為是一個藝術(shù)制造者。作為“藝術(shù)制造者”的我竟然比作為“藝術(shù)創(chuàng)作者”的我更加快樂，也比從前更加不遺余力地去實現(xiàn)我的作品，這令我自己也感到驚奇。這一態(tài)度和自我意識的轉(zhuǎn)換是隨著我生活環(huán)境上的變化出現(xiàn)的。在北京生活了兩年，已讓我習(xí)慣于自己目前這種邊緣人狀態(tài)，習(xí)慣于在外圍當(dāng)一個生活的旁觀者。我因為邊緣而享有更多自由，也因為邊緣而少了很多焦慮。我可以作為一個局外人來看待圍繞事件中心的紛紛擾擾，高興的話有時也可以進(jìn)去攪和一下。不過大多數(shù)時間里我還是與所謂“當(dāng)代藝術(shù)”相關(guān)活動這一現(xiàn)象保持了距離。我這樣說，也許會讓人有理由懷疑我對現(xiàn)今藝術(shù)界的態(tài)度還是很復(fù)雜的。

　　在《永遠(yuǎn)的邊界》中，我意在展現(xiàn)近期完成作品的主要焦點，亦即我?guī)е鴱?fù)雜的心情在邊緣生活的狀態(tài)下完成的東西。保持這一邊緣狀態(tài)強(qiáng)化了我對生活中許多現(xiàn)實狀況的矛盾心情。作品正是在邊緣生活和源自這種邊緣生活的不可避免的矛盾態(tài)度的對抗中產(chǎn)生，從而有了這個展覽的名字，“永遠(yuǎn)的邊界”。

　　黃致陽

　　2008年9月30日

　　北京

　　開放時間：周三到周日上午10點到下午6點。周一和周二僅接受預(yù)約參觀。

　　地址：北京市朝陽區(qū)崔各莊鄉(xiāng)草場地村241號（郵編：100015）

　　北京藝門畫廊

　　總監(jiān)

　　馬芝安

　　電話： +8610 5127 3220

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　　Email: fubi@pekinfinearts.com

　　info@pekinfinearts.com

　　Pékin Fine Arts:

　　Huang Zhiyang (b. 1965 Taipei), Peripheral Vision, Solo Exhibition

　　February 21 – April 30, 2009

　　Huang Zhiyang Auspicious Beast – Pio Pio (Detail) Bronze Sculpture With Gold Leaf 135 x 86 x 132 cm, 2008

　　Opening Reception for Taiwanese artist Huang Zhiyang’s solo exhibition in China: February 21, 2009, from 2 to 6 pm. ALL WELCOME!

　　Artist’s Statement:

　　“In my view, it’s always important to consider matters from the vantage point of a bit of time and distance. Consequently, I tend to view life from the sidelines, deliberately maintaining some distance from the mainstream, seemingly “drifting away” from the main currents of every day life. “Drifting away” for me, usually means questioning my surroundings and the status quo. You could say I’ve developed an attitude towards life that I adhere to, where I intentionally keep some distance from the mainstream and from what might be considered central to others.

　　For most, contemporary art is widely accepted as integral to every day life. However, this does not mean that trends in contemporary art can solve all of life’s problems nor become part of the mainstream. Most so-called “Contemporary Art” is no more than a by-product or phenomenon needed to meet the demands of the marketplace and our endless appetite for the latest consumer products and spectacle. Today, much of “Contemporary Art” never goes beyond creating faint shadows of societal reality, images so far removed from reality that they often appear fake and vulgar. Unlike “Modern Art” of the past, which sought to depict the heavy weight of reality and flesh-and-blood activities, today’s “Contemporary Art” often lacks meaning and substance, typically conforming to what is popular –and superficial - in every day life. So in my view, it is time to find a more appropriate term for what passes these days as “Contemporary Art”.

　　Admittedly, I am also engaged in “Contemporary Art” production. In the past I thought I was an art creator, but now I regard myself as an art producer. To my surprise, I feel happier with the title of “Art Producer” rather than “Art Creator”, and I am more determined than ever in realizing my art works. This shift in my attitude and self-consciousness arose following my change in my living environment. The past two years living in Beijing have made me accustomed to my current status as a person on the periphery looking at life’s events from the sidelines. Thanks to my marginal status, I now enjoy more freedom and less anxiety. I can observe all the hustle and bustle and turmoil around the centre of activity, as an outsider, and occasionally butt in if I wish. But for most of the time, I stay away from this phenomenon of so-called “Contemporary Art” related activities. Having said all of this, one may rightfully ask whether I am more than a little ambivalent toward the art world of today.

　　In I attempt to present the main focus of my most recently completed Art Work; Art Works that came out of my status living on the periphery with an attitude of ambivalence. Maintaining this marginal status reinforces my feelings of ambivalence toward many of life’s realities. And the Art Work that is born of this tension between a life on the periphery and the inevitable attitude of ambivalence resulting there from, has inspired the title of this exhibition. In Chinese, the term is literally translated as “Always on the Periphery”.

　　Huang Zhiyang

　　September 30, 2008

　　Beijing

　　Gallery hours: 10 to 6 pm daily. Mon and Tues by appointment only.

　　Add: No.241 Cao Chang Di Village, Cui Ge Zhuang, Chaoyang District, Beijing, China 100015

　　Pékin Fine Arts

　　Media Relations Manager

　　Maiko Uchiyama

　　Tel: +8610 5127 3220

　　Fax: +8610 5127 3223

　　Email: maiko@pekinfinearts.com

　　info@pekinfinearts.com