展覽名稱：廢都——胡聲平個展
參展藝術(shù)家：胡聲平
主辦：夸克藝術(shù)空間
展覽時間： 2009年6月6日 ——6月28日
開幕酒會：6月6日下午3:00
展覽地點(diǎn)：北京朝陽區(qū)酒仙橋路２號（798藝術(shù)區(qū)A05-0-3，夸克藝術(shù)空間.)
電話：59789304
郵箱：quacart@yahoo.com.cn
Exhibition Title：
Feidu —— Hu Shengping's Solo Exhibition
Artist: Hu Shengping
Organizer: Quac Art Space
Exhibition Date: June 6, 2009 ~ June 28, 2009
Opening Reception: 3pm,6.6
Exhibition Add: Quac Art Space , 798 Art District A05-0-3，No.2 Jiuxianqiao Road, Chaoyang District, Beijing.
Tel: (+8610)59789304
E-mail: quacart@yahoo.com.cn
這些都是手工制紙，一張張裂痕滿布且被努力補(bǔ)牢的破紙。
僅此而已。
其他沒有什么可說道的了，一介畫人裝不得深奧的。見過有些高人，將萬物置于掌中，審視再審視，分析再分析，定義再定義，做出無數(shù)個的“語言替身”來。他們的深奧有點(diǎn)使我在知識方面緊張，在情感方面也難免有點(diǎn)不舒服。除了因了自己的淺薄而生出的愧意外，更主要的是，見不得哪一天早晨醒來，睡眼惺忪之中，見著滿世界的東西，一律按標(biāo)簽列隊(duì)，一二一地齊步走！世界如是這樣那該多乏味。再說，高人一多系統(tǒng)各異，這萬物該聽誰的呢？
這一想，還是做回自己。別讓這些路數(shù)像春藥一樣催情自己的欲望，以為人可以掌控萬物，定義秩序，解析天機(jī)。還是老老實(shí)實(shí)坐將下來，與物的彼此之間，互為生機(jī)，在未割的意愿下，或許可以得到幾分直覺與天真。
好比這展覽的名稱，一定不是事先想好的一個主題，然后圍著它去描繪與闡說。像任何時候一樣，手工紙沒有任何主題地徑由手工作出。紙漿依然自在地破了，我依然努力地將其補(bǔ)牢。可許多張這樣的紙如此這般地直立懸置在一起，每一張紙的質(zhì)味在重復(fù)中疊加與聚合，粗礫的肌理、碩大的體量、逼仄的距離、往復(fù)的層次，讓我生出頹敗與困頓的直覺，這才借得賈平凹先生的書名來用。當(dāng)然，這只是我的感受。于你，或許又是另一番模樣。不管我們?nèi)绾稳ハ耄诩埗际恰暗诙隆绷耍堃廊皇撬约骸?/p>
這些就是手工制紙，一張張裂痕滿布且被努 力補(bǔ)牢的破紙。
如你所見。
僅止而已。
These handmade paper,all of which are broken paper that covered with cracks but healed by great efforts.
Just like that.
Besides, being a painted man shouldn't show his superficial profundity and so there's nothing special to say. I've ever seen many seniors, whom could put everything in their hands and kept examing after examing, analysing after analysing and never stop giving definition to make out numerously Language Double. Their profundity made me feel nervous on my konwleadge and also made me feel not very well in my emotional aspects, besides what caused those is my shame of superficiality but the most important thing is if I saw everything on earth queue up by tags with one-two-one aheading when I got up in tired some mornings! How boring if the world turned to that, in that case who can rule the world with there have been so many seniors?
Back to those thoughts, I think I should still back to my own and avoid those approaches like philtres that excite men's desire and make them believing just human being can control everything in the world, can define the rule and analyse secret. So I say sit down still and be each other's vitality with those things around you and under the willing maybe you can got some intuitions and puerilities.
Just like the name of this exhibition that certainly wasn't a subject designed before and then we give some descriptions and introductions to it. Just as anytime before the handmade paper all done by natural will but without any specific subjects. The paper pulp still goes breaking and I still patch it by any efforts. But a great of such paper were vertical hung like this and that and the taste and quality of each paper were polymerized and stacked again and again with massive texture, large cubic, narrow distance and iterative layer made me an intuition of dispirit and indistinction, caused by that I got the title from the works of Jia Pingwa(a celebrated author in China). Of course all of those are just my own feeling,but for you it mightbe a completely different status.No matter how we think about that, to the paper it's the Second life but the paper is still the paper as it born.
This is the handmade paper , of which covered with cracks and be patched by a lot of efforts.
As you see.
That's all.