南洋清新電子風(fēng)：

    aspidistrafly & flica 澳門音樂(lè)會(huì)

    fresh electronica from S.E. Asia：aspidistrafly & flica live in macau

    演出者 / Performer：

    aspidistrafly (SINGAPORE)

    flica (MALAYSIA)

    特別嘉賓 / Guest Appearance：evade (MACAU)

    時(shí)間/Time:8:00pm 29-3-2009

    門票 /Ticket：MOP $60

    演出場(chǎng)地 /Performing Venue：牛房倉(cāng)庫(kù) / Ox Warehouse

    售票點(diǎn) /Ticket Office：牛房倉(cāng)庫(kù)及邊度有書/ Ox WareHouse & Pinto Livros

    現(xiàn)場(chǎng)不設(shè)劃位 Seats are not assigned

    (牛房之友、邊度有書之友及學(xué)生可享MOP$50票價(jià)優(yōu)惠，購(gòu)票時(shí)須出示有效證件)

    (Special ticket purchase at MOP$50 are open for Friends of Ox WareHouse,Pinto Livros and students.

    Please present vaild ID during purchase)

    主辦 / Organization：婆仔屋藝術(shù)空間 / Old Ladies' House Art Space

    協(xié)辦 / Co-organization：Kitchen , 邊度有音樂(lè)(Pintomusica)

    節(jié)目查詢 / Program inquiry：(853)28 530026

    for more information:

    http://oxwarehouse.blogspot.com/

    http://blog.roodo.com/pintomusica

    aspidistrafly：

    “Refined and robust, these well organized aural assemblages give ample animation and seriousness to the light and prosaic elements of the everyday.” -– Cyclic Defrost (Australia)

    "Full of dreamy post shoegaze soundscapes, ethereal female vocals & lullaby folk textures. It kind of reminds me of the pastures between Sigur Ros & Cocteau Twins, the voice fluttering & hovering around tantalisingly between absorbing passages of crisp acoustics, subtle found sound samples, gentle ambient/drift textures and blissed laptop glitch. It's definitely of a high pedigree, lovingly produced and a delight to look at as well hear." - Norman Records (U.K.)

    “A gentle album thats shines like a jewel, like sunlight through the leaves of trees." -- Bounce Magazine (Tower Records Japan)

    "Everything is worked out into the smallest details. With field recordings and microsounds they sculpture songs to accompany dreamy vocals. With an eye for details like Taylor Deupree and in the vein of Japanese musician Piana. 8/10" --　EARlabs

    ”ts not easy to pin down aspidistrafly’s music into a specific genre, which is a good thing. Can you imagine Richard Chartier playing dreamy pop music? With some female vocalist? I’d say aspidistrafly is microsound and pop. Very refined.”-- Vital Weekly

    "他們?nèi)娜獯蛟斐鲆粡垵M載追憶與情感，卻跳脫文字，純粹以深思熟慮的聲音設(shè)計(jì)營(yíng)造出獨(dú)特氛圍的專輯,「i hold a wish for you」每個(gè)細(xì)節(jié)都盡見aspidistrafly對(duì)他們心血結(jié)晶有多么的重視！" -- Node Culture (Taiwan)

    "仿佛一串追憶中的片刻清醒，一次長(zhǎng)途遷徙中的短暫停留，安逸、和煦，點(diǎn)綴著自身的優(yōu)雅和aspidistrafly式的消匿，就像天高氣爽的時(shí)日，從空氣中踱出一位詩(shī)人，他無(wú)聲無(wú)息地握住另一位詩(shī)人微顫的雙手――aspidistrafly也曾這般仁慈――然后，指縫間滲出一道明銳的光" - - 中國(guó)著名音樂(lè)雜志《通俗歌曲．搖滾》

    aspidistrafly是由來(lái)自新加坡的April Lee與Ricks Ang所組成的多媒體藝術(shù)團(tuán)體，本身學(xué)習(xí)建筑的April擔(dān)任藝術(shù)指導(dǎo)、攝影、主唱與電音創(chuàng)作；而Ricks則負(fù)責(zé)設(shè)計(jì)、作曲與監(jiān)制，兩人于2005年創(chuàng)立設(shè)計(jì)工作室＋音樂(lè)廠牌Kitchen。他們?cè)?004出版首張EP《The Ghost of Things》大獲好評(píng)，被譽(yù)為當(dāng)年度新加坡最佳獨(dú)立發(fā)行。2008年出版首張專輯《i hold a wish for you》，并有機(jī)會(huì)在日本當(dāng)紅作曲家Haruka Nakamura專輯《grace》中擔(dān)任客席音樂(lè)人。

    aspidistrafly曾為各式多媒體藝術(shù)表演與裝置提供作品，當(dāng)中包括他們應(yīng)TheatreWorks邀請(qǐng)與日本重量級(jí)多媒體藝術(shù)團(tuán)體Dump Type核心成員Takayuki Fujimoto，還有媒體藝術(shù)家Daito Manabe一起合作“Drift Net”。今年三月aspidistrafly將展開亞洲六個(gè)城市的巡演。

    From Singapore, aspidistrafly is the music & visual project formed by April Lee (b.1984) and Ricks Ang (b.1980). April is an art director, photographer, vocalist and electronic artist. She has a background of study in architecture. Ricks is a designer, composer and producer. He also runs Kitchen. Label, a design studio + record label established by the both of them in 2005.

    Their release “The Ghost of Things EP” was widely regarded as one of the best local independent releases of 2004. In 2008, aspidistrafly gained wide attention with the release of their first full-length album "i hold a wish for you" (Kitchen.) and collaboration with Haruka Nakamura on his album "grace" (schole records).

    aspidistrafly has also contributed materials for media art performances and installations, most notably collaborating with Takayuki Fujimoto (Dumbtype) and Daito Manabe on “Drift Net”, curated by Singapore-based international performance company TheatreWorks. aspidistrafly has played live in Japan and other Asia Pacific cities. In March 2009, aspidistrafly is set to embark on a 6 city tour around Asia.

    http://www.aspidistrafly.com/

    flica：

    “大馬獨(dú)立音樂(lè)人flica的處女專輯，以清新小電為主軸，加上靈巧的IDM韻律和甜美且不落套俗的流行樂(lè)架構(gòu)，得以充滿畫面感的方式漂亮地呈現(xiàn)出獨(dú)立電子音樂(lè)其溫暖及人性化的一面”-- Node Culture (Taiwan)

    “閉上眼睛，感受自體內(nèi)逸出的自然旋律，來(lái)自吉隆坡的Euseng Seto（flica），以鋼琴為中心，融合如呼吸心跳般自然有機(jī)的電子韻律，特別適合在夜晚聆聽，讓想象力自由飛翔” -- intoxicate vol.77(Japan)

    “Though piano is the central instrument in the new album's ten pieces, the instrument is joined by acoustic guitar, strings, programmed beats, and ambient atmospheres in Euseng Seto's electro-acoustic settings. Throughout, the music is warm, the style consonant, and the vibe pastoral; the Malaysian artist's music, in other words, is anything but nightmare-inducing… It goes without saying that Flica's Nocturnal will also appeal to devotees of Sawako, Daisuke Miyatani, Akira Kosemura and Rist” --- textura (Canada)

    “I have no doubt that some will view this similarity of feel and sound across all of the tracks as a hallmark of dreaded predictability, but considering the way in which Flica's work stands out from many others in the IDM crowd in terms of its ability to utilize complexity in an extraordinarily accessible and comprehensible manner, I feel it unfair and, indeed, mistaken to think of it as anything other than consistency.” --- Fred Bevan (The Silent Ballet, USA)

    flica是來(lái)自馬來(lái)西亞吉隆坡的電子原音創(chuàng)作人／平面設(shè)計(jì)師euseng seto的代號(hào)，自2005年起即開始其音樂(lè)創(chuàng)作活動(dòng)，與朋友合組電音二人組合muxu，2007初開始以flica名義實(shí)踐探索個(gè)人較實(shí)驗(yàn)的電子音樂(lè)風(fēng)格，及后與當(dāng)?shù)鬲?dú)立廠牌mu-nest合作出版首張個(gè)人專輯《windvane & window》，悠然舒泰的有機(jī)風(fēng)格讓他打開在日本的知名度，引起日本電子音樂(lè)圈的注目，2008年12月更在日本著名環(huán)境電音廠牌schole出版專輯《nocturnal》，受歡迎程度更上一層樓。

    flica is euseng seto , an electro-acoustic artist and graphic designer residing in Kuala Lumpur, Malaysia. Born in 1982, he began his music activities in 2005 with his first electronic duo project muxu, whose last offering is released by Monotonik Label (United States).Having realized the need to explore further and experiment with his own music style, euseng seto started flica in early 2007, solely crafting and producing his first album, 'windvane & window' which has been one of the top selling albums in the Japanese electronica scene since its release.

    http://www.myspace.com/flicasound

    evade：

    來(lái)自澳門的四人樂(lè)隊(duì)evade，音樂(lè)風(fēng)格深受electronica、dream-pop、shoegazing和dubstep影響，目前成員包括主音Sonia，結(jié)他Brandon，低音結(jié)他Jason和計(jì)算機(jī)音效的Faye。Evade的音樂(lè)充滿甜蜜和夢(mèng)幻的意境，以聲音作媒介，尋找飄渺美感的氛圍。

    evade is from Macau, whose style blends together electronica, dream-pop, shoegazing and dubstep. After several changes to personnel, the current setup is established in 2006, and includes Sonia (vocal), Brandon (guitar), Jason (bass) and Faye (sound programming). evade's music is characterized by a sweet, dreamy mood. Through the medium of sound, an ambience of beauty can be found．

    http://www.myspace.com/evademacau