在風(fēng)景畫中感受
　　Perception in Landscape Painting

　　我的繪畫是從風(fēng)景畫起步的。哪怕是現(xiàn)在一把年紀(jì)了，在回憶繪畫生涯時(shí)，還會(huì)回憶起許多少年時(shí)期寫生的場(chǎng)景。風(fēng)景對(duì)于我們的成長都是一個(gè)學(xué)步，我不知道現(xiàn)在是怎么看待風(fēng)景的。當(dāng)時(shí)畫風(fēng)景，對(duì)于自然，對(duì)于氣候，對(duì)于所描繪的對(duì)象的感受，都是發(fā)自內(nèi)心的。而且現(xiàn)在還記著，像油菜花、一抹夕陽、朝霞、滿天的星星，或者門縫的一道光，印象都特別地深。特別是各個(gè)季節(jié)的氣氛，甚至于氣息，都能在風(fēng)景畫中聞到、感受到。

　　通過畫風(fēng)景，養(yǎng)成了觀察身邊環(huán)境的習(xí)慣，比如注重人對(duì)季節(jié)的感受。像我畫一些老鎮(zhèn)、田野，自然就培養(yǎng)了對(duì)自然的親近感。雷雨之前，雷雨之后，春天的雨，冬天的雨，秋天的雨，下雪，打霜，由于平時(shí)的訓(xùn)練，對(duì)這些現(xiàn)象特別敏感，并不是多穿件衣服或者少穿件衣服這種簡單的適應(yīng)，能感覺到的是季節(jié)對(duì)人的情感、情緒上的觸動(dòng)，就很想一畫。

　　風(fēng)景畫建立了人與自然很親切、很自然的交流關(guān)系。

　　我早期的風(fēng)景畫訓(xùn)練在背景、氛圍上對(duì)現(xiàn)在畫畫有很大的幫助。

　　My art began with landscape painting. Though I am getting old, when I think about my career, I will recall the scenes of making sketches as a boy. Land- scape was our apprenticeship, and I do not know how we view it today. At that time, my perception of nature, climate and subjects was spontaneous. I still remember how I was profoundly impressed by rape flowers, sunset, morning glow, stars, or a ray of light from the crack of a door. I can smell the atmosphere, even aroma of each season in the landscapes.

　　I was accustomed to observing my environment and taking note of our perception of seasons by painting landscape. I feel an affinity with nature by painting old towns and land. I become sensitive about natural phenomena in the daily artistic practice before and after a rainstorm, about rainfall in spring, winter, autumn, about snow and frost. It is not simple adap- tation like putting on more or less clothes, I also feel touched emotionally by the seasons, thus getting uniquely inspired.

　　Landscape painting establishes for us a familiar rap- port with nature. My early practice in landscape is beneficial to a grasp of background and atmosphere.