叩開(kāi)總體之門(mén)——關(guān)于沈朝方的影像作品
繁麗與毀滅——沈朝方總體藝術(shù)個(gè)展
策展人：王春辰
開(kāi)幕時(shí)間：2009.06.20 16：00
展覽時(shí)間：2009.06.05-07.20
展覽地點(diǎn)：在3畫(huà)廊
前言
沈朝芳有兩個(gè)身份，在學(xué)校他是研究生，回到他的工作室他就是一位青年藝術(shù)家。在藝術(shù)創(chuàng)作方面，他十分勤奮，并且不斷的轉(zhuǎn)換創(chuàng)作方式尋求自己的藝術(shù)語(yǔ)言。這一過(guò)程是很艱辛的，也需要有強(qiáng)烈的探索精神。
在今天，藝術(shù)的表現(xiàn)方式豐富多彩，尤其青年藝術(shù)家的創(chuàng)作與他們所生存的時(shí)代有著一致性。如果我們把他們的生活空間看作為是一個(gè)透明的、極薄的玻璃容器，這個(gè)玻璃空間既透明又脆弱。一旦受到內(nèi)部膨脹氣流的沖擊或者是來(lái)自外部力量的擠壓，它可能會(huì)破碎，這些玻璃碎片會(huì)撒落在我們生活的空間之中，成千上萬(wàn)的玻璃碎片反射著自然的、生物的、社會(huì)的、心靈的、肉體的、本能的、信息的、科學(xué)的等等的一切。它們通過(guò)反射的光線給我們視覺(jué)帶來(lái)的是絢麗多彩。他們面對(duì)這破碎的空間并不恐懼，還從中獲取他們所需要的信息，并去構(gòu)造他們的審美方法和締造一個(gè)新的生存空間，我們很難用傳統(tǒng)的思維去揣摩它。所以這些青年藝術(shù)家爭(zhēng)取到了更大的創(chuàng)作空間。從這一點(diǎn)上來(lái)說(shuō)，他們的勤奮和努力是可喜的。
沈朝芳的個(gè)展，展示給我們的有裝置、影像、圖片等等。在他的作品中，可以看到由于社會(huì)壓力而從他內(nèi)心中爆發(fā)出的吶喊，也可以看到精美圖片和影像所呈現(xiàn)的唯美的表現(xiàn)方式。
在這個(gè)空間中還可以看到他為拍攝影像而設(shè)計(jì)制作的服裝及道具。通過(guò)他的作品我們可以看到作品與作品之間是跨學(xué)科、跨領(lǐng)域的作品，這需要他掌握多種造型語(yǔ)言的方法和技術(shù)，同樣證明了他的勤奮。
新媒體藝術(shù)是一個(gè)對(duì)未知藝術(shù)領(lǐng)域進(jìn)行探索的學(xué)科，同時(shí)也是通過(guò)當(dāng)代的理念和尖端的科學(xué)技術(shù)拓沿審美以及體驗(yàn)與知覺(jué)的藝術(shù)方式。我們深信我們的過(guò)程是艱難的，但是我們將共同努力去探求一種新的適合我們這個(gè)時(shí)代的藝術(shù)語(yǔ)境。
劉旭光,博士(北京電影學(xué)院教授，新媒體實(shí)驗(yàn)室主任)
2008年11月10日
preface
Shen chaofang has two different identities. he is a graduate student in BFA and a young artist in his studio. He works hard in artistic creation and look for his own artistic expression constantly. This process is very difficult, and also needs his strong spirit of exploration.
Nowadays, artistic expressions are rich and colorful and Young artists are synchronized with their times. Their life space is like a fragile transparent glass container. It will be broken by the pressure of the internal expanding air or external forces. The glass fragments will be scattered in our lives. Thousands of them reflect something about natural, biological, social, spirit, physical, instinct, information, science and so on, which brings us various visual experiences. These young artists are not afraid of this broken space and access to the information they need to structure their aesthetic methods and a new living space which we can not study in the traditional way, so that they can strive for a greater creativity. Their efforts are exciting from this point of view.
The exhibition of
Shen chaofang show us some devices, videos and pictures etc. In his works, we can hear the whoops due to social pressure from the bottom of his heart and we can see his aesthetic expression from the beautiful pictures and videos. It also shows us the pros and costumes which was designed for the video. We can find that his works are interdisciplinary ones, which requires not only more efforts but also methods and techniques for visual language.
New media art is a subject for unknown art era and an art mode for new experience and perception brought by contemporary ideas and cutting-edge science and technology. We believe that this process is tough, but we will try our best to explore a new art context adapted to our times.
Liu xuguang
Nov.10.2008
