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南京制造——2010當(dāng)代藝術(shù)展

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藝術(shù)中國(guó) | 時(shí)間: 2010-04-28 21:12:26 | 文章來源: 藝術(shù)中國(guó)

 

南京制造——2010當(dāng)代藝術(shù)展

策展人: 吳文星

學(xué)術(shù)主持: Chris Gill

藝術(shù)總監(jiān): 陳波

開幕時(shí)間: 2010年5月16日 星期日 下午三點(diǎn)半

展覽時(shí)間: 2010年5月16日至2010年7月16日

主辦: 新波畫廊 上海莫干山路97號(hào)

參展藝術(shù)家 artists:曹愷 陳輝 高雷 葛震 胡正東 黃峻 劉國(guó)夫 羅凡 潘登 沈敬東 宋乃江 吳翦 徐弘 于小雨 閆棟 朱存?zhèn)?趙勤

郵箱:wuwenxing2003@hotmail.com

 

Made in Nanjing ——2010 Contemporary Exhibition

Curator: Wu Wenxing

Academic: Chris Gill

Director: Chen Bo

Opening: Sun. 16th May. 2010, 3:30pm

Duration: 16th May. —— 16th Jul. 2010

Organizer: NEW B GALLERY No.97 Moganshan Rd.

 

后記

江南人杰地靈,詩(shī)情畫意,文化也極其多元豐富,而被譽(yù)為六朝古都的南京,更是一個(gè)有著千年文化底蘊(yùn)的江南名都。此次2010“南京制造”展延續(xù)了我對(duì)江南人文藝術(shù)做的一點(diǎn)探究。2007 “Made in SH”,2008 “From杭州”都很好地反映出了上海及杭州地區(qū)藝術(shù)家的生活方式與創(chuàng)作狀態(tài),獨(dú)特的地域文化特質(zhì)決定了他們對(duì)藝術(shù)探究與追求的方向。

南京藝術(shù)家給我的第一印象是率真、熱情。他們有著一種隨遇而安但堅(jiān)韌頑強(qiáng)的性情,他們對(duì)藝術(shù)傾注了敏感、細(xì)致、執(zhí)著的思考,也正因?yàn)檫@樣的個(gè)性為中國(guó)的當(dāng)代藝術(shù)填補(bǔ)了重要的精神氣質(zhì),豐富了中國(guó)當(dāng)代藝術(shù)的文化情境。

在此,望更多評(píng)論家與策展人對(duì)江南地區(qū)的當(dāng)代藝術(shù)形態(tài)有更多地關(guān)注,使之能更好地融匯與發(fā)展。

“南京制造”展能順利舉行,首先感謝于小雨先生的聯(lián)絡(luò)與幫助,青和當(dāng)代美術(shù)館館長(zhǎng)劉國(guó)夫先生的熱情接待與引薦以及胡正東先生對(duì)畫冊(cè)、請(qǐng)柬、海報(bào)等的精心設(shè)計(jì),同時(shí)也非常高興能和Chris Gill先生一起赴南京采訪南京藝術(shù)家并參觀他們的工作室,最后感謝新波畫廊在2010世博期間提供了展覽的空間及經(jīng)費(fèi)的支持。

文/ 吳文星

2010年4月26日

WuWenxing April 26,2010

Postscript

South of the lower reaches of the Changjiang River is characterized by its outstanding personality and very poetic flavor as well as its richness in multicultural information. Nanjing, honored as Six Dynasties ancient capital, is a well-known capital in JiangNan District with a ten-thousand profound cultural deposits. This time the exhibition of “2010 Made in Nanjing” will be my continuous probe into JiangNan’s art of humanity. 2007 “Made in SH” and 2008 “From HangZhou” has been an ideal reflection of the lifestyle and creative status of the artists coming from Shanghai and Hangzhou. The distinguishing feature of the regional culture decides their lifetime pursuit in art probe.

Sincerity and enthusiasm of the Nanjing’s artists is the first impression left on my mind. They are born with a special disposition which refers to their being on sea, sail and being on land, settle but being of courage and fortitude. Their sensitive, detailed, determined thoughts are centered on the art and it is this very personality that enhances the spiritual temperament of the Chinese contemporary art and enriches its cultural circumstances as well.

Here, I am awaiting more attention on the contemporary pattern of art in JiangNan district from more critics and exhibition planners and looking forward to its better integration and development.

As for this successful “Made in Nanjing” exhibition, I am very thankful to Mr. XiaoYu for his contact and assistance and to Mr. LiuGuofu, director of Qing He Contemporary Art Museum for their warm reception and introduction and to Mr. HuZhengdong for his well-designed picture album and invitations as well as his playbills. Meantime, I am delighted to be with Mr. Chris Gill to interview the artists of Nanjing and visit their workshops. At last, I am very much obliged to XingBo gallery for his exhibition rooms’ supplying and financial support in this very period of “Shanghai 2010 Expo”.

 

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