蘭一

Recommendation for Lan Yi

蘭一在赴法期間的繪畫具有強(qiáng)烈的涂鴉色彩，在回國后的創(chuàng)作中，涂鴉的一些基本語言被保留下來，最為明顯的是線條分明的形象和強(qiáng)烈對比的色彩效果，隱藏其下的是藝術(shù)家對“人”及“人性”的關(guān)注。在他近期的繪畫創(chuàng)作中，利用精確的線條和色塊來勾畫帶有寫意特征的傳統(tǒng)繪畫，并形成了一種明顯的視覺反差。

——盛葳

Lan Yi’s works used to be characterized by graffiti when he was in France, the basic expressions of which remained after he came back China. The images with lines and the color effect of strong comparison are highly impressive, under which is the artist’s focus on “human beings” and “humanity”. His recent paintings make use of exact lines and color lumps to sketch the freehand brushwork in traditional Chinese painting and forms an obvious visual contrast.

-- Sheng Rui

吳達(dá)新

Recommendation for Wu Daxin

吳達(dá)新的藝術(shù)創(chuàng)作以影像開始，并逐漸發(fā)展為動態(tài)裝置的形式。在相當(dāng)長的一段時(shí)間內(nèi)，藝術(shù)家的興趣點(diǎn)一直放在對“水”和“冰”同一物質(zhì)的不同物理形態(tài)之間的轉(zhuǎn)換，以及轉(zhuǎn)換過程所夾帶的意義上。在新近創(chuàng)作的這件作品中，可以明顯地看出他從觀念層面上對“影像”作為藝術(shù)創(chuàng)作的“技術(shù)”的深入思考。

——盛葳

Wu Daxin’s artistic creation starts from photography and gradually develops to the form of dynamic device. During quite a long period of time, the artist keeps his interest in the transformation of “water” and “ice”, actually the same substance, between different physical forms, and the meaning of the transformation process. His latest piece of works reflects clearly his penetrating thinking of “images” as the artistic creation from the aspect of the concept.

-- Sheng Rui